Les bacheliers de la cinquième

In 1976, a young punk lands in Natashquan. It’s the beginning of an unlikely love story between a small fishing community and this new arrival. Yet the relationship meets a brutal end when, three years later, the punk disappears without a trace. Forty years have now gone by, and the village of Natashquan is experiencing a slow, irreversible devitalization—one by one, villagers have been going missing. Those who tell the tale of the punk today see it as the story of a small community’s symbolic survival.

Betsiamites

In the 1970s, young people from Baie-Comeau – Hauterive sought to take their place in an industrial society dedicated to work and consumption. Often left to their own devices while waiting to enter the job market, many of them seek their paths in artistic creation. The feast of St. John 74 gives them an opportunity to shout their existence loud and clear and to shake up the existing order. We follow them here in their adventure and their reality.

Madame Fife, l'amour d'un village

Behind closed doors in a car, three friends from the small town of Sept-Îles discuss their desire to reconnect with the North Shore, the region where they grew up.

Documentary filmed at the end of the Manic-Outardes hydroelectric projects on the North Shore of the St. Lawrence (1978) to pay tribute to the men and women who participated, for 20 years, in the first collective project in modern Quebec. Le Temps de la Manic allows us to follow live the moving end of this era in the company of Jean-Noël Laprise nicknamed “the Switch”, Andrée Laprise (Grenier) his partner, their 4 children Carole, Serge, Yvan and Hélène, by Édouard Hovington and Véronique Hovington, by Camille Brisson, Léo Boisclair, Denis Ouellet, Gérard Debigaré and Fernande Buissière. Everyone has experienced the time of the Manic adventure from the inside. The Prime Minister, Mr. René Lévesque, also appears in the film.

L’histoire de la Côte-Nord: une histoire commune

Uapishka

Filmmaker Éli Laliberté explores Nitassinan, an Innu territory north of Sept-Îles. His camera follows Clément and Tekuanan. The first is a modern-day coureur des bois, the other returns to Nutshimit, his ancestral family territory.

La vieille réserve

At the age of eight, José shows us his village, Nutashkuan, and everything he loves there.

Tout est ori

Iraq War veteran Herold Noel suffers from post-traumatic stress disorder and lives out of his car in Brooklyn. Using Noel's story as a fulcrum, this doc examines the wider issue of homeless U.S. military veterans-from Vietnam to Iraq-who have to fight tooth-and-nail to receive the benefits promised to them by their government.

"How comes no one has ever made a film about The Melvins?" Well, no one has ever tried or thought it even possible.....until now that is. The Colossus Of Destiny - A Melvins Tale is a film about a band who have defied all the rules, for over 32 years and counting, and still managed to succeed and do it their own way. The journey of band members King Buzzo and Dale Crover leads us from the backwards-waters of the Chehalis River in Washington State, down through the Golden Gate of Northern California, and finally settling into the Los Angeles River Basin of Southern California. With the rest of the world thrown in along the way. You will witness first hand the beliefs and attitudes, values and obscenities, slows and fasts, triumphs and toils, loves and hates, wits and giggles of a hugely talented and influential band. And you will also come away with a lesson in how to survive in the wicked world of the music biz without taking yourself too damn seriously.

Shot over a two-year period observing Abbado: a) Rossini, Overture to 'll Barbiere di Siviglia' b) Schubert, Symphony no. 2 B-Major, D. 125 c) Arnold Schonberg, Kammersinfonie no. 1 E-Major op. 9 (Filmed in Venice, Gran Teatro La Fenice, in February 1995, Chamber Orchestra of Europe). a) Richard Strauss, Elektra (Deborah Polaski, Karita Mattila, Marjana Lipovsek, Ferrucio Furlanetto) b) Beethoven, Symphony no 6 F-Major, op. 68, 'Pastorale' (Filmed in the Festspielhaus Salzburg on the occasion of the Easter Festival, April 1995, Berlin Philharmonic). a) Beethoven, Concerto for piano and orchestra no. 3 C-MINOR, OP. 37 (Maria Joao Pires) b) Bruckner, Symphony no. 9 D-Minor (Filmed in Paris, Cite de la Musique, in August 1995, Gustav Mahler Youth Orchestra).

A feature length portrait of conductor Sergiu Celibidache; four years in the making, director Jan Schmidt-Garre collaborated closely with the musical director of the Munich Philharmonic.

At the age of seventeen, Irina Chistyakova looks back at an international concert career spanning ten years. Irina is the youngest of the four protagonists of the film Russia's Wonder Children made in 2000. By now seventeen years old, she is going through a drama that many prodigies experience: while they were children, they were able to stun audiences with the contrast of their delicate appearances and precocious talents. Like Irina, Nikita Mndoyants (18), Dmitry Krutogolovy (19), and Elena Kolesnichenko (25), are still showered with praise and distinction. But what price did they have to pay for it?

An engaging profile of the classic film; featuring interviews with Stephen Fry, Dulcie Gray and Dorothy Tutin.

Russian-born composer Sofia Gubaidulina entered the international spotlight at a relatively late age, when the 49-year-old came forward with her premier violin concerto, "Offertorium," in 1980. Gubaidulina authored that piece for Gideon Kremer. Curiously, it would be another 12 years before Gubaidulina received a commission (from Paul Sacher) to author her second violin concerto, and another 15 years after that until the notes fell on ears ripe with anticipation. For the debut of the "Second Violin Concerto," Gubaidulina insisted that no one other than German violin virtuoso Anne-Sophie Mutter perform it. That Mutter performance from August 2007 appears, in its entirety, in this classical concert film. Jan Schmidt-Garre directs.

'The Weight of Chains 2' is a documentary film largely dealing with the effects of the Washington Consensus economic doctrine on the newly established former Yugoslav republics, but also with neoliberalism as an economic concept. Through interviews with Noam Chomsky, Oliver Stone and many others, the author, Serbian-Canadian Boris Malagurski, attempts to analyze why so many people in the Balkans are disappointed with the systems imposed after the fall of socialism and how capitalism could be improved. Looking at the examples of Ecuador and Iceland, the film tries to uncover alternatives to the prevailing orthodoxies of Western economic dictates and help developing nations find their own way to shape their economies and their countries.