Les bacheliers de la cinquième

Behind closed doors in a car, three friends from the small town of Sept-Îles discuss their desire to reconnect with the North Shore, the region where they grew up. As the hours lenghten on the road 138, the young women reflect on the quest for identity that accompanies the regional exodus and reveals a social landscape decentralized from the metropolises.

Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.

Filmmaker Éli Laliberté explores Nitassinan, an Innu territory north of Sept-Îles. His camera follows Clément and Tekuanan. The first is a modern-day coureur des bois, the other returns to Nutshimit, his ancestral family territory.

North of the 51st parallel, where the dense boreal forest opens onto an arctic islet, the snow-capped peaks of the Uapishka Mountains watch over the Nitassinan of Pessamit. In the heart of winter, a group of Innu and non-Innu adventurers attempt to cross this vast mountain range on snowshoes, completely independently. Faced with the vastness of the territory, the rigors of the northern climate and the impetuous breath of the tundra, they discover each other in a different way, form friendships and unite to better chart their course. Over the kilometres, the adventure reveals a space for meeting, sharing and reconciliation.

In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community.

For over thirty summers, Mrs. Fife, an exceptional woman of our time, lived in the village of Baie-Johan-Beetz, where her great gentleness and generosity left their mark on people. This documentary is therefore intended as a tribute: it brings together both numerous testimonies and a collection of archival films and photos, signed by Mary Fife.

In the 1970s, young people from Baie-Comeau – Hauterive sought to take their place in an industrial society dedicated to work and consumption. Often left to their own devices while waiting to enter the job market, many of them seek their paths in artistic creation. The feast of St. John 74 gives them an opportunity to shout their existence loud and clear and to shake up the existing order. We follow them here in their adventure and their reality.

Driven by an intimate quest, this choral film reveals the meeting of individuals who inhabit the territory of Manicouagan and who together contribute to defining its geomorphological and socio-cultural imprints through time in a dreamlike manner.

At the age of eight, José shows us his village, Nutashkuan, and everything he loves there.

Betsiamites

L’histoire de la Côte-Nord: une histoire commune

La vieille réserve

Documentary filmed at the end of the Manic-Outardes hydroelectric projects on the North Shore of the St. Lawrence (1978) to pay tribute to the men and women who participated, for 20 years, in the first collective project in modern Quebec. Le Temps de la Manic allows us to follow live the moving end of this era in the company of Jean-Noël Laprise nicknamed “the Switch”, Andrée Laprise (Grenier) his partner, their 4 children Carole, Serge, Yvan and Hélène, by Édouard Hovington and Véronique Hovington, by Camille Brisson, Léo Boisclair, Denis Ouellet, Gérard Debigaré and Fernande Buissière. Everyone has experienced the time of the Manic adventure from the inside. The Prime Minister, Mr. René Lévesque, also appears in the film.

Tout est ori

In 2014, in Donetsk, Renaud Lavillenie broke the pole vault world record held by the legendary Sergei Bubka. Since then, the French pole vaulter has become one of the world's greatest athletes. This summer, in Rio, he sets his sights on Olympic gold. His second, another record. Already present in Ukraine, Cédric Klapisch followed the champion in his preparation for over a year.

Morning After the Deluge is a large-scale, single-projection video installation, preferably presented in a dedicated room where the projected image is directed onto a free-standing screen. The work features two pieces of real-time footage that the artist filmed in Cape Cod, Massachusetts – one a sunset over the Atlantic Ocean and the other a sunrise on Cape Cod Bay – that are merged together and presented on a continual loop. As the sun slowly disappears into the ocean on one side, it rises out of the water on the other. In this new arrangement, the usual figure-ground relationship is upended: the sun becomes a fixed point at the centre of the image while the horizon line becomes unfixed, slowly wandering across the frame from top to bottom.

A modern trial by jury at the Old Bailey of one of the most famous events in English history. Conducted on the afternoon and evening of 21st February, 1984, it was held almost 500 years after the death of the last of the Plantagenet Kings, King Richard III, on Bosworth Field, the last of the English monarchs to die in battle. The charges are that King Richard III did, in or about the month of August, 1483, in the Tower of London, murder Prince Edward, Prince of Wales, and Prince Richard, Duke of York. Presiding over the case is Lord Elwyn-Jones, the former Lord Chancellor, and he is ably supported by two of Britain’s leading criminal Queen’s Counsels. A fascinating trial which presents evidence which offers the viewer the opportunity to join the jury in weighing the evidence and reaching his or her own verdict before discovering that of the television jury.

He rubs shoulders with Hollywood legends, created his own anime series and drove the gaming world crazy with his songs, parodies and live streams. Now, the most influential Fortnite content creator in the Spanish-speaking world, Rubius, is about to join the Icon Series!

The sites and sounds at the 800-year-old Horenji Temple in Kyoto — electro music, English, takoyaki, a kaleidoscopic elephant — would seem to belie its long history. But in order for the family-run temple to thrive in the 21st century, it must continue to reinvent itself. Intimately following future head priest Scion (30) along with his fiancée Haruka and firstborn sister Ariya, critically-acclaimed director Ema Ryan Yamazaki captures one unexpected corner of Japanese society's struggle to balance tradition with progress.

The beginnings of Chantal Akerman behind the camera at the ages of 17 and 18: four films shot in Super 8 during the summer, presented to enter the National Higher Institute of Performing Arts and Broadcasting Techniques (INSAS, Brussels) in September 1967, where she was accepted