A rogue scientist near a small desert town arouses the suspicion of the town's doctor when his lab assistant is found dead from a case of acromegaly, which took only four days to develop. As the doctor investigates, aided by the scientist's new female assistant, they discover that something is devouring local cattle and humans in increasingly large quantities.
A has-been actress spends her days performing with her masochistic nurse. Things take a dark turn when their fun pastimes take method acting to the next level.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
Based off the poem by H.P Lovecraft, it tells the tale of a dying man who slowly enters a strange dream world where he fades into oblivion.
1982. 15'50". A French black and white experimental film. Bloody, violent, and disturbing. Full production credits unconfirmed.
Loosely inspired by H.P. Lovecraft's short story 'Beyond the Wall of Sleep', this film follows Jude Slater, a man who has recently inherited the house of an important figure in the town of Freasdal. What horrors lay in wait beneath the foundations of the home have yet to be seen.
After finding a ring in her car, a girl gets chased by a thing we cannot see.
After indulging in a petty phobia, a woman learns the real meaning of fear.
Through experimental editing and the recitation of movie trivia the film comments on the chaos of information in the age of the internet.
An awkward ghoul makes his television debut as he presents the 1968 horror classic Night of the Living Dead, with the help of a reluctant crew.
Baggage handlers Bud and Lou accidentally stumble upon Frankenstein's Monster, Dracula and the Wolf Man.
Frankenstein's unscrupulous colleague, Dr. Bohmer, plans to transplant Ygor's brain so he can rule the world using the monster's body, but the plan goes sour when he turns malevolent and goes on a rampage.
Grave robbers open the grave of the wolf man and awaken him. He doesn't like the idea of being immortal and killing people when the moon is full so tries to find Dr. Frankenstein, in the hopes that the doctor can cure him. Dr. Frankenstein has died; however, his monster is found.
One of the sons of late Dr. Henry Frankenstein finds his father's ghoulish creation in a coma and revives him, only to find out the monster is controlled by Ygor who is bent on revenge.
Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.
2 grave robbers find a town put under a curse by a witch, which causes the residents to have weak immune systems.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Three unlikely individuals attempt to escape the dark prison known as "The Void."
Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.