2050, faudra-t-il vraiment se passer de viande ?

Legos : Les 30 constructions les plus incroyables

Méthane, rêve ou cauchemar ?

In France, 15 billion eggs, which constitute the cheapest animal protein on the market, are consumed every year. With ever more demanding consumers, the sector is changing. The production of eggs from caged hens is plummeting while free range and organic farming is on the rise. But can we mass produce quality eggs and respect animal welfare? How are the pasteurized egg products that can be found in food products and in collective catering canteen dishes made?

Travail à mort

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Parc Astérix, fêtes foraines : La guerre des loisirs à sensation

Lekcja 41

Arrosez-les bien !

Rêv'O Lucioles

Amsterdam

Chimères

The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.

Wanting to distance himself from his skinhead past, Max joins the Northern Sentinels, a group that provides help to the homeless. The Sentinels’ social activities are soon shown to be hiding an even darker agenda.

Supermarket

A short directed by Gianluigi Toccafondo.

FIRST FILM was edited and narrated by Lorna Marshall and is comprised of footage shot in 1951 on the second Marshall family expedition to the Kalahari Desert. It is intimate in style, very carefully filmed, with a wealth of practical information about the material culture and structure of Ju/'hoan (!Kung Bushmen) hunter-gatherer society. The film allows viewers to see some of John Marshall's earliest film footage and provides an interesting comparison with the more sophisticated shooting found in his later work.

Greece, Russia, USA, Brazil, China, Senegal. Meeting young people in these countries we heard a ‘Rumble’ foretelling an impending explosion. The fall of communism, crisis of capitalism, ecological catastrophes, migration waves, globalization. The new generation is at the forefront, exposed, helpless without being able to envision a more optimistic future. This ‘Rumble’ comes from this young generation. Their words, images, sounds and music compose the notes of an audio-visual symphony entitled: ‘The Rumble of the World’.

Who are the people who clean the roads of the world? Why are the majority of them women and immigrants? The well-traveled show “Clean City” of the Onassis Foundation Stegi becomes a hybrid film. Four separate directors follow the tour of the show to four cities - Skopje, Sarajevo, Montpellier, Istanbul. Immigrant cleaners, stars of the show but also of their real lives, talk about their experiences, touch on the subject of racism in terms of what is “pure”, the danger of fascism, female immigration and sexual abuse. An anthology film somewhere between documentary and fiction, having as its starting point the filmed theatre play by Anestis Azas and Prodromos Tsinikoris.

Malaysian queer filmmaker Seok and Kenyan disabled activist-scholar Faith – embark on a journey to make a film that captures their friendship, putting them in vulnerable positions as they navigate trauma and healing.

Samwise and Stevie grew up with homelessness in BC and Nova Scotia. Ianos is a gender-queer Greek. Kwaku is a single father who came from extreme poverty and famine.