3STIGIA

Julia experiences a confused world seemingly against her after receiving a pessimistic tarot reading, as her feelings inevitably differ from her thoughts. Which way to go?

A short film collaboration between director Kristian Day and make up artist Patrick Boltinghouse. Patrick had created the make up for Pride Weekend 2010 in Des Moines, Iowa. After the parade, he called Kristian up explaining that he was in make up and had a bird on his shoulder. Kristian's only reply was "I'll get the camera ready". Filmed entire in his home, Kristian made two versions: a single play version and a "locked groove" version which played on a loop at the Resident Artists: Guns Blazin' show on July 9th, 2010 in Des Moines.

The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.

A compilation of TV news about black culture.

Celina y Chichi

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?

Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.

Breathe deeply: in 3 years, your molecules will circle Earth, as today’s oxygen came from nature.

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Seven actors are brought to an isolated house where they must stay in character for three days under constant surveillance.

Thirty worlds in less than a blink and oh-so many more...

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

Sienna struggles with dreams of an unknown and scary place after receiving a dress that belonged to her late grandmother, who commited suicide years ago

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Make your adjustments.

STRATA INCOGNITA, is a trans-scalar and trans-temporal journey across the geographies that articulate soil as an agro-industrial infrastructure, but also as an ecosystem and a somatic archive of crimes, memories and myths.