3STIGIA

Make your adjustments.

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.

Video art piece by Michigan artist Gio Orlando.

ACIdRAPTURE ZEBRA

Neyasno

It’s the story of a love that has been lost, of a painful break-up narrated through a long night’s journey, its dreams and nightmares. This girl keeps dreaming of her ex-boyfriend, that follows her in her unconscious and reveals himself in various ways.

A guy named Ray tries to go to sleep and a sasquatch gets into funky business.

A closeup examination of a tree in the morning light.

Pêche Capitale

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.

Proyecciones del Limbo

patterns form and dissolve on the surface a surge of fear and hope in equal measure

A boy stands in a field, flying his kite.

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.

Family man Ethan Miller is on his way home from work. The drive ahead of him is long, but after getting a distressing phone call from his wife, he realises that's the least of his problems...

A man breaks in a house, in which he never went before. However, he seems to got some memories of it...

A woman confined to a colorless room finds herself forced to eat a mysterious meal while being tormented by strange creatures.

Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.

A man takes a mysterious pill that gives him the ability to teleport into different times and different places, but with serious consequences.