In the near future, when getting an abortion has once again become a criminal offense, Kara is confronted by a grim and brutal reality. Even though obvious dangers are at play, she seeks out the services of an illegal mobile abortion clinic. Once inside the meanders of this morbid clinic, she is confronted with the consequences of her painful decision. Not only are her life and freedom in danger, but Kara is unprepared to face the emotional repercussions that her decision will have on her and those around her.
Wanting a better life for herself and her child, Amani decides to flee Lebanon. Her journey unravels impossible choices and sacrifices only a Mother can make.
A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.
Seven women embark on a transformative weekend in Sedona, Arizona, forging bonds and finding inner strength through shared struggles and secrets.
Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.
Another Great Night follows Lia as she walks home alone after a night out, a journey fraught with risk and harassment. This film shows a condensed version of the many hazards that can befall women as they navigate often unfriendly and dangerous terrain, simply wishing to make their way home. Another great night? Well, that depends on your perspective.
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
A woman of nobility battles patriarchal norms in order to improve educational access for women in early 1900s Indonesian society.
Five girls grow up in China during the first years of the twentieth century. When they become adults they have to learn that women are almost without rights. Other women close to them are suppressed in the most brutal way. When Mingtao is to marry a mentally deficient but rich man, she and her friends decide to escape and to search for the mythical "garden" where a woman's life is worth living.
Helen suffers from a rare fear of chalk. One day she feels encroached by several chalk figures in Helsinki and decides to confront her fear. In the Amos Rex museum, she discovers the works of Keith Haring in a catalogue and adapts his style to her needs for catharsis.
A community of women lives in an old convent that falls apart. They never talk and strive to keep everything clean. One day, Irene realizes for the first time that there is much more beyond the routine she and her sisters keep doing over and over. Irene, following nature’s signs, starts a journey of reconnection with her own impulses and body to finally find her own voice.
The Philippines, 1902. The land is raw, wounded, occupied. Smoke clings to the trees. Blood soaks the soil. The war is over – but the violence lingers. Widows fill the villages. Mothers vanish into silence. Among them walks Sisa (Hilda Koronel), barefoot and broken, dismissed as mad by those who fear what they don't understand. But madness is only the surface.
When a struggling single mother falls for a wealthy heartbreaker, their risky romance could just turn their lives around — or tear their worlds apart.
A woman experiences psychic disintegration and ends up in a psychiatric hospital.
When a young social elite at the turn of the nineteenth century explores life as a modern woman, she risks losing the man she loves and a certain future.
Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.
England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
Entre Corpos
Two women rebel against the traditions of a village society.