A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.
A young woman faces an unexpected pregnancy and must inform her father.
A woman of nobility battles patriarchal norms in order to improve educational access for women in early 1900s Indonesian society.
Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.
The story of two youngster girls who became the victims of female genital mutilation.
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.
A West Berlin doctor, married with a two-year-old child, leaves her husband to go to Munich to work in the birth clinic of a hospital. Her husband doesn’t know that she’s pregnant with their second child. Will she have to choose between motherhood and her career?
Seeking refuge on an island in Upstate New York, a married couple's final attempt to salvage their failing relationship takes a turn for the worse when the husband begins to regress emotionally, mentally, and physically.
If you don’t laugh, you’re dead
A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.
When a young social elite at the turn of the nineteenth century explores life as a modern woman, she risks losing the man she loves and a certain future.
Confronted with trauma, women contain, compartmentalize, distract, and ultimately carry on— lessons learned from a society of partially blind eyes. Shannon is a mother enraptured with invisible pain. She endures in chaotic calm, cracking from the inside out. Exploring the definition of motherhood and female madness, we ask: is reckoning with female pain more dangerous than playing pretend?
A young Saudi doctor campaigns for a seat on the municipal council, finding confidence as she combats prejudice.
Late 17th Century: Anne de Grandcamp and Lucie de Fontenelle, two little girls from Normandy, arrive at the Saint-Cyr school founded by Madame de Maintenon for educating the daughters of impoverished nobles ruined in wars and making them into free women. Madame de Maintenon is the secret wife of Louis XIV, and empowered by his support, she offers "her" two hundred fifty girls a playful and avant-garde education. Anne and Lucie, two inseparable friends, allow themselves to be carried away by the promise of a bright future. But Maintenon has arrived at the pinnacle of power through scheming and debasing herself and she now fears the fires of hell. She is counting on her model school to atone for her past sins.
Nora Helmer has years earlier committed a forgery in order to save the life of her authoritarian husband Torvald. Now she is being blackmailed lives in fear of her husband's finding out and of the shame such a revelation would bring to his career. But when the truth comes out, Nora is shocked to learn where she really stands in her husband's esteem.
Directed by Sid Ali Mazif.
Ruby Pasha, an aspiring entomologist from a village in Pakistan, disappears after killing her fiancé and his evil family who threatened to kill her for breaking off the engagement. As news of the killings spreads globally, Ruby is turned into a revolutionary icon.
Saleswomen in a supermarket discover that they are paid less than their male colleagues who do the same work. They decide to take action. The band Ton Steine Scherben sings along that “Everything changes if you change it / But you can't win as long as you're alone!” With a lay cast, the film fulfils the demand for solidarity that it preaches – “this film was made by saleswomen and housewives. They came up with the story and acted themselves. The film students helped them”
In the near future, when getting an abortion has once again become a criminal offense, Kara is confronted by a grim and brutal reality. Even though obvious dangers are at play, she seeks out the services of an illegal mobile abortion clinic. Once inside the meanders of this morbid clinic, she is confronted with the consequences of her painful decision. Not only are her life and freedom in danger, but Kara is unprepared to face the emotional repercussions that her decision will have on her and those around her.