Seven short episodes, each containing one sole image, are combined together in order to create a psychological thriller. ”I’m walking. There’s somebody else walking in front of me. This has been going on for a while. At some point it might get unpleasant – it might seem as if I’m following him…”
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A documentary showcasing a family as they pack up their home of twelve years and begin looking towards the future.
A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.
With unique access to Nasa, Brian Cox follows Perseverance rover’s search for life on Mars during a critical seven-day period as it undertakes an epic journey across the red planet.
Sara helps her little brother Tomas to overcome his fear of the monster under the bed, but it is harder to protect him from his violent and authoritarian father.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.
Short about the daily life of the Apaches, including their ceremonies.
Every dog has his day, but poor Dante can't seem to catch a break.
"Fellinette" is a young girl drawn on a page of a notebook in 1971 by Maestro Federico Fellini. "Fellinette" is the protagonist of this fairy tale which is set on the beach of Rimini on January 20, 2020, Centenary of birth of the great Maestro. Experience a melancholic and wonderful adventure through the fervent childhood imagination of Fellinette. Celebrate the greatest director with dreamlike atmospheres full of poetry, live action shots and animated parts.
Jean-Michael Cousteau's documentary about the Great Barrier Reef keeps getting interrupted by characters from Disney's Finding Nemo.
Mickey's friends throw him a surprise birthday party at Minnie's house. The chef brings out the cake (with 2 candles); Mickey manages to blow all the cake onto the chef's face, while the candles stay lit. He unwraps his present: a miniature piano. He plays a duet of I Can't Give You Anything But Love, Baby with Minnie, followed by an instrumental version of The Darktown Strutter's Ball, which everyone dances to (including Mickey and Minnie, while the piano stools keep playing). Mickey then plays There's No Place Like Home on the xylophone, then accompanies Minnie on another piece, after which the xylophone gets frisky and eventually dumps Mickey in the fish bowl.
Tom, sick of Jerry stealing the milk out of his bowl, poisons it. Instead of killing the mouse, the potion transforms him into a muscular beast.
Sealand
Tom fights with another cat over Jerry.