Fuimos revolución. 10 de junio de 1971

Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.

Mila and María are two teenagers who get to know each other through video correspondences they send to each other. One day, they arrange to meet in person.

An exploration of modern ruins that seeks to record the traces of time in Mexico City.

This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.

Filmed mostly with drones, this short film shows what happened before, during and after the devastating earthquake that struck Mexico City in September 19, 2017. Through sound recordings of the rescue operations, accounts from survivors and journalistic chronicles, this film reflects the uncertainty and bewilderment caused by the quake.

Indisciplinado. Historia de un proyecto político

In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.

Notes sur le système de transport collectif de la ville de Mexico

Best friends travel though Latin America meeting shamans, experimenting with plant medicines, and wondering about what makes a life well-lived when one of them might have half the time to live it.

VISITAS

This film explores the consequences of the decisions we take and shows those things which really matter. After leaving his wife and children and promising he would be back, a man lives in a tent at a Mexico City park. There, he earns his living by selling balloons. After 30 years, he needs to fulfill his promise and return home. Will his family accept him back? Is he going to be able to change a life on the streets for the comfort of his home?

Love and admiration in 16mm. The fusion a beauty that exists throughout three generations; my three Venus.

On September 19, 2017, at 1:14 p.m., an earthquake devastated Mexico City and its environs. Immediately, citizens mobilized to help, including the actor and youtuber Juanpa Zurita who quickly organized a group of friends that included singers, actors, content creators and other celebrities from the world of entertainment who helped him raise funds for the reconstruction of the city.

México-raised and currently Chicago-based artist Sofía Fernández Díaz details her process of adorning found objects and handmade textiles with beads, dyes, and melted wax to imbue them with new meaning, and to give them patitas.

Les Camps de l'Horreur Nazie

De la Quadra-Salcedo: El reportero que quisimos ser

After a long and successful career as a skater, Veronica has stepped away from competing, but continues her legacy by organizing skateboarding workshops to teach young girls from indigenous communities to skate, and to push them to fight back for the public spaces that have been occupied by men and to practice a sport that also belongs to women.

A group of mexican high school students spent their time at parties and outside of school practicing skateboard, drinking an doing drugs.

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

¿Qué pasó con Yugoslavia?. El engaño de nuestra vida