Personal accounts from the Alta actions in the years 1979 to 1981. Large police forces were deployed against the demonstrators. The dispute over the Alta river began as an environmental issue, but became a major turning point for the Sámi people's struggle for equal rights in Norway.
Vivre dans l'Allemagne en guerre
Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.
"A documentary film which looks at the issue of British Columbia Native land claims and how the aboriginals link their culture to the land, which has been stolen by the dominant white culture of North America. In the film, the argument is presented that the lands have been taken from the Natives without any clear treaty agreements and how attempts had been made to wipe out Native culture through the Residential School system. " Produced by the Union of BC Indian Chiefs in 1975.
This documentary recounts the difficult choice actress Mary Astor had to make after learning her personal, very intimate, diaries had been stolen. The film tells the story of Astor's 1936 child custody case.
While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.
When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.
Forty years after the death of Pierre Mendès France, Yves Jeuland and Alix Maurin reveal another side to this figure: the story of his life, told through the pages of his private notebooks. PMF led a romantic and extraordinary life as a French politician and Jew, both loved and hated.
In an intimate and provocative journey, Vibrations is a documentary-essay that explores the filmmaker’s complex relationship with explicit imagery and his own sexuality. Born into a Catholic family and struggling to put his homosexuality into words, the director finds in pornography a space for self-exploration and acceptance. The film dives into the nuances of alternative pornography, challenging stigmas and revealing how desire, identity, and the politics of the body intertwine both on screen and in life. A work that pulses between the personal and the universal, Vibrations challenges perceptions and invites a rediscovery of pleasure and freedom through the image.
A short film of the first weeks of strict national lockdown, filmed in Barcelona on a classic home video camera Hi8. Narrates the story of three women who share a flat and who create a microworld not only to survive the global pandemic but also to survive themselves.
“Can I be nostalgic about something I’ve never experienced?” asks debut filmmaker Pranami Koch. She has in mind her grandmother, a person she never knew who belonged to the Koches, a people in India with their own culture and traditions. In her search for connection and identity, Pranami travels to the countryside and immerses herself in the Koch community.
On the border of Surinam and French Guyana, indigenous Wayana territory is overrun by intruders. Illegal gold miners poison the river, missionaries repress indigenous identity, and even doctors with the best intentions leave marks that are often silently violent. The Wayana call these intruders Parasisi.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.
Sami reindeer herders win a Supreme Court victory against Europe’s largest wind farm - but when the state refuses to act, their fight reveals a deeper crisis of justice and trust.
A collection of memories from a tumultuous time at University.
On British Columbia’s remote Southside, wildfire is not an abstract threat—it is a lived reality. As flames close in on a frontier community, the Cheslatta Carrier Nation and their neighbours face an impossible choice: evacuate, or stay to protect the land that defines them. With limited access and little outside support, the community responds collectively, drawing on Indigenous leadership, cooperation, and generations of knowledge to confront the fire in near isolation. In the aftermath, the burn reveals a long-erased Cheslatta village site, resurfacing a suppressed history just as their response gains wider attention as a model for resilience. But when the flames recede, new constraints emerge—raising questions about the limits of community-led action, and the fragile balance between survival, autonomy, and authority.
Every morning, Marcel confides in his tape recorder. It is from his reflections on life that this film takes us into the wake of his story.