Looking Back Before You Leap

This short experimental diary film reveals my struggles with mental illness in my adolescence and queer adulthood while simultaneously reflecting upon my joyous childhood experiences. I investigate when and how my depression began and explain that my relationships with the people I love have supported me through my harder times. The film incorporates footage shot over May and June 2023 and archival home videos. Overall, I aim to resolve my "growing pains" through the medium of diary film and by reconnecting with my younger self.

A short documentary and character study about a woman's complex relationship with religion and family.

In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.

You must once in a while uproot yourself from the daily routine to better see what doesn’t serve you anymore - not to run away from but to get closer to yourself.

Serial killer Aileen Wuornos writes down her darkest secrets for her best friend while on Florida's death row; now, for the first time, those secrets are revealed in detail.

Roads fall into the sea and a travelogue breaks against the landscape.

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.

A Propos d'Enedice

Documentary film about Martin Park, a homeless man living in Dublin, and his friendship with photographer and filmmaker Donal Moloney.

Celina y Chichi

Japanese two female singer-songwriters, Kazumi Nikaido (also known as Nika Soup) and Saya Source (of Tenniscoats, Maher Shalal Hash Baz). Nika is known for her chameleon-like ability to transform her voice, while Saya has a melancholic and straightforward singing style. Both have distinct voices that can be identified immediately, but when they sing in unison, they create melodies that are truly sublime. They have released charming album IPIYA (2005) features playful pop songs reminiscent of nursery rhymes, repetitive mantra-like tracks. The two went back and forth from their homes in Hiroshima and Tokyo to create beautifully diverse songs for this record. This is the documentary of "how" and "why" and also "where" they had made the very original music. Many interviews, rehearsals, free sessions, live performances are included. There is a childlike innocence to this documentary, and offers a peak into the unique world of how they make music.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

Short news featurette produced by Pathe-RKO after the Russians launched the first orbiting satellite, Sputnik. It is a patriotic 'call to arms' from the threat posed by this and the need for Americans to spend more on education in general and a college education in particular. A visit to the University of Buffalo highlights its science programs and the need for more graduates from all technical disciplines if America is to rise to the challenge. It bemoans the fact the PhDs earn less than a mechanic and the need to re-order priorities.

"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

a poem. trees. fragments of fritz. love—and nothing besides!

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

Soy