To The Movies

When a renowned film director, clashes with the young son of a house she's using as a filming location, a power struggle ensues, forcing the director to confront her own arrogance.

Ergui as Mãos aos Céus e Não Havia Mais Luz

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

Hana is an LGBT master painter. she has been rejected from Iranian society because of her sexual orientation. At the age of 9, she showed her interest in a girl for the first time. For this reason, the family also rejected him. Hana is ready to do anything to save her lover because of the many tensions she has gone through in her life.

In the last days of their tumultuous relationship Julian and Lara are confronted with a life changing event and now must bear the consequences.

After a Hollywood agent suffers the loss of her biggest client and closest friend, she is asked to represent an AI version of the deceased actor.

In a dimly lit jazz club, a widower cinephile battles his buried desires. That's until he stumbles upon a mysterious cinema that unveils his suppressed longings and leads him on a journey of self-discovery through his enigmatic reflection.

Experience the 1990’s and the end of a millennium in the sixth installment of the “Tour de Cinema” series.

Dive full-force into the most electric, profound, action-packed, and emotionally resonant decade in the history of filmmaking with the fifth installment of the “Tour de Cinema” series.

A woman goes to her safe place, the movies. She reflects on the ritual of understanding humanity in the darkness only to complete the unspoken agreement between the movies and the audience.

Los Colores Pardos

The year is 1968. Five teenage boys dream of running a movie theater in which they will not show pro-war films. One summer afternoon Giò, Delfo, Max, Ricky and Paolo learn to become trusted friends, indispensable to one another.

273 KELVIN

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn". As the film plays, the lives of the theater's various employees and patrons intersect, and two ghostly actors arrive to mourn the passing of an era.

On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.

A shy movie fan must overcome his confidence issues when he and his crush, the theater concession stand girl, are pulled into a 1930s adventure film by its fiery heroine.

Set in a dimly lit, nearly deserted cinema hall, the film follows a protagonist whose encounters with a fellow moviegoer, a projectionist, and the presence of an unseen voyeur take on a charged, sexual undercurrent. As boundaries between experience and liminality blur, the cinema hall becomes a space of shared, ambiguous encounters where desire, tension, and vulnerability intertwine.

Grosse Baston Partie 21

De Camera

Robert