The Man Who Loved Flowers

The short film for Kelsea Ballerini's Grammy nominated album Rolling Up the Welcome Mat.

An accompanying short film to TÁR (2022).

Military sounds chatter and static. Crackling voices over the ether. On a wooded road two girls are driving, lost amongst the endless forest. The road finally runs out. ..Road Closed. Strange noises surround them, the ferns begin to move, something is closing in... They are not alone in these woods.

K just crashed his Mercedes-Benz into a tree, moments after trying to avoid running down a small wild animal that ran across his path. He is on a backwater road in the countryside and it’s a very dark night. His evening has only just begun...

It has been thirty years since the last Fox Creek Carver murder. Assuming the killer's dead, four local college students go to the woods to conduct a research project on the famed serial killer, but soon realize that his spree never ended.

A little girl home alone finds herself face-to-face with pure evil.

A collection of six Christmas song favorites, produced for the home-gauge market.

A man gets into a terrible traffic accident in the middle of nowhere, and two religious zealots try their best to "save" him.

Elliot struggles with OCD, locking his door all night, every night. One night he decides to not lock the door, and is horrified when he encounters a strange intruder.

A husband and wife take extreme measures to free themselves from an abusive marriage.

Phil must face his biggest fear after being left alone in a grocery store during his night shift.

After receiving a call from her husband saying he will be working late, Andrea goes and investigates, believing there is an intruder in her home.

A young woman resorts to drastic, self-destructive measures to rid herself of a mysterious, otherworldly creature known as The Guest.

The Bonzo Dog Band freak out at the farm and strange sounds abound.

Short film by Daniele Zanelli released as part of the '4 Nightmares' anthology.

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

Joyful, androgynous forms shimmy across the screen to the sound of world-beat music.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

Three schoolgirls get more than they bargained for when attempting to communicate with the dead.

A woman's attempt to catch a few hours of solitude in the woods is interrupted in the night by a mysterious girl.