From leaving Egypt 10 years ago, to almost dying a month ago in a car accident. This film is about the journey in between and the massive role the internet played in the life of prominent Youtuber and Yes Theory co-founder Ammar Kandil.
In 2013, online clay animator Robert Benfer scammed hundreds of fans out of thousands of dollars and has continued to become less of the independent film icon he used to be, though his unique influence on video creators remains to this day. This film not only sheds light on how Benfer's films impacted young filmmakers, but also how a talented independent artist can fall from grace no matter how obscure they are.
In the age of YouTube, exhibitionism and voyeurism echo and reach a climax. The boundaries between private and public life are blurring. The intimacy becomes a spectacle. Gabrielle Marion knows this better than anyone. As a famous Quebec Youtuber, she has been documenting her life and her sexual transition for eight years.
A San Francisco doctor encounters a prostitute who bears a striking resemblance to his late wife.
Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.
Vital true sex facts and scenes formerly restricted to medical books, this film was billed as an illustrated lecture on film.
On July 25th, 2020, Ridley Scott and Academy Award winner Kevin Macdonald invite you to be part of Life in a Day—a historic, global documentary capturing a single day on Earth. Videos from around the world are woven into a feature film.
A young woman goes searching for answers after her friend mysteriously vanishes in Whitehall, NY, an Adirondack town known for its Bigfoot sightings. She quickly learns that hiding in the woods is an evil more sinister than she could ever imagine.
This documentary explores an unknown civilization of the Brazilian Amazon, who risk their lives to protect their forest. In order to save the exploitation of the environment by big corporations, they have to create legal institutions.
Cousins Menahem Golan and Yoram Globus relive the creation, rise and fall of their independent film company, Cannon Films. This documentary recounts their many successes and discusses their eventual downfall.
Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Be it as ‘Unreal Tournament Kid’, ‘KeyboardCrasher’, or ‘Angry German Kid’: Almost everywhere across the world this video of a youth who freaks out whilst playing on the computer and destroys his keyboard is known. Many still share it today as a meme when chatting without knowing that it was staged. Also: the young guy never uploaded the video himself. Powerless, he had to witness how it was shared and distorted countless times – how it destroyed a part of his life. Now, for the first time, Norman Kochanowski speaks with ZAPP about his story and the consequences of virality.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Tulia, a young model is invited to a photographer's country home for what purports to be a quiet weekend retreat - but soon appears to be anything but.
A documentary on how composer Kevin MacLeod unwittingly became one of the most heard composers in the world by releasing thousands of songs for free.
When Casey Neistat first sat down to interview YouTube sensation, David Dobrik, neither of them knew they were about to capture one of the most precipitous rise and falls in the history of the internet... in real-time. David, protected by the belief that he’s just a kid with a camera, has constantly assumed risks. Even as a story of a sexual assault breaks, he’s busy covering up a near-lethal accident caught on film, intended to be entertainment. In the real world, these kinds of actions have life-changing consequences, but in the gold rush ecosystem of Social Media influence, the audience decides who succeeds, and who gets banished forever.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
Dan and Phil’s stage show "The Amazing Tour Is Not On Fire" comes to YouTube as a live performance movie on October 5th! Inspired by the best of their videos, live and interactive with a real audience—along with some surprises you’ll never see coming.