Ruas, Revoluções e Buracos Negros

This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

La justice sous l'Occupation

Documentary film with play scenes about the rise and fall of the short-lived Bavarian Soviet Republic in 1919 from the perspective of various well-known poets and writers who experienced the events as contemporary witnesses.

In recognition of the 4th of July, several celebrities and politicians of differing ideologies join to read the historic documents which laid the foundation for the United States of America.

The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.

Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...

Guy Debord's analysis of a consumer society.

Who are the people behind the international anti-Covid-vaccine movement and why are they doing it? This journey inside the astonishing world of the anti-vaxxers finds out.

Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.

The AfD, founded in 2013, is a right-wing party that has become increasingly radicalized in recent years. To illustrate this, only those who enthusiastically joined the party in its early years are heard. They describe what they looked for and found in the party, but also how and why they left, disillusioned and frightened by the AfD's developments. How did they experience the party's radicalization process? How did friends and family react? When and why did they decide to turn their back on the party? How difficult was the exit process? The documentary provides an illuminating inside view of this party, which has been driving the established parties and the political establishment ahead of it for over ten years, gives viewers a unique look into the AfD's chronicle and world of thought and is at the same time a film about the mechanisms of political radicalization.

Two journalists born in the mid '80s decide to take a look back at how their country changed in the last 30 years since the fall of communism. The end product is a documentary containing footage of political events and historical milestones significant to Romania accompanied by a narrator's voice walking the viewer through the events, and also interviews with Romanian politicians and other influential public figures sharing their thoughts and their different views on those events.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.

This documentary is Dr. Steven Greer’s answer to the current government and media disinformation campaign promoting 3 big lies: 1. We do not know what these UAPs/ UFOs are. WE DO. 2. Humans cannot make craft that can maneuver like UFOs. WE CAN and WE DO. 3. The UFOs are a threat. THEY ARE NOT.

This documentary speaks to local activist groups in the music industry and culture scene to find out why people are driven to fight back and speak out on subjects they’re passionate about. With an aim of inspiring the next generation, each activist gives their advice on how you can put a cause you are passionate about in the local scene into action. Hope Lynes spoke to Phil Douglas from LGBTQIA+ organisation Curious Arts; grassroots promoter Hana Harrison from Art Mouse; Tracks' Sarah Wilson, who campaigns for better female representation in the music scene with her project Noisy Daughters; Chantal Herbert from feminist Black and queer-led organisation Sister Shack; and disability activist and musician Ruth Lyon. It’s hoped that this intimate and personal documentary will explore the starting points to beginning your own activism.

The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.

Vigilantes Inc.: America’s New Vote Suppression Hitmen The 2024 election is in danger:  8,500 self-proclaimed vigilante vote-fraud hunters have already challenged the rights of 851,000 voters of color.  Investigative reporter Greg Palast (Guardian/Rolling Stone) hunts down the MAGA vigilantes including one dressed like Doc Holliday—with his loaded 6-guns—who blocked the vote of 4,000 Black soldiers including MAJ Gamaliel Turner.  Palast and Major Turner confront the vote rustlers in scenes humorous, weird and dangerous.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.