Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.
A quiet boy, full of thoughts, leaves his house holding a toy airplane. He boards a bus and, while playing with the model, arrives at Parco Perotti in Bari, where the memorial stele for Tuninter Flight 1153 stands — a flight that took off from Bari and ditched off the coast of Sicily near Capo Gallo on August 6, 2005 — air disaster that claimed 16 lives and deeply affected the 23 survivors.
Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.
Filmed immediately after the end of the civil war in Angola, Há Sempre Alguém Que Te Ama records the return of Pocas Pascoal to the country where she was born, in an attempt to reconstruct the episode that, in 1975, led to the capture of the director along with her mother and sisters. An intimate documentary about memory and self-(re)construction.
Corpo d'Água
Living as listening: For DJs, life revolves around records. Around sounds. Every life is a story, every DJ is a narrator, every stack of records is an endless collection of stories. Of myths. Of memories. Can we know someone’s life through their records? For some, we can even know their impact.
La montagna magica
Commissioned by the Toronto International Film Festival to mark the event's 25th anniversary in September 2000, the "Preludes" program consisted of ten short films by Canadian directors which were inspired in some way by the festival. Each film screened as a prelude to a feature film in the 2000 Toronto International Film Festival program. The full "Preludes" anthology was screened on the web in November 2000, and was given theatrical retrospectives at the TIFF Lightbox in the subsequent years.
A young bank employee, Keshavan Nair, tenant of Saramma's father is in love with her. She is looking for a job and Kesavan gives her one.
Rageaholic
A noir drama depicting the downfall of a veteran detective who hates evil and falls into its depths. Ace detective Sugai pursues Chiyo, the mistress of a man who was arrested for extortion, and takes advantage of her weakness. However, as his colleague Tokumochi and others regard him with suspicion, he is tormented by remorse.
On National Achievement Day, the lives of a detective, a shopkeeper, a garage attendant, a barmaid, a dog and two mice interconnect. Their conversation provokes self-reflection, stirring up memories that evoke longings and regrets.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
After Port Royal is attacked and pillaged by a mysterious pirate crew, capturing the governor's daughter Elizabeth Swann in the process, William Turner asks free-willing pirate Jack Sparrow to help him locate the crew's ship—The Black Pearl—so that he can rescue the woman he loves.
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.