يوم عاصف جدا

a comedy play about a struggling theater cast seeking funding to show one of its plays, they stay in a hotel waiting for the financier, but they don`t have money to pay the hotel bill, which gets them in many troubles

The story revolves around a family of several men and their wives who were living a happy happy life, until the doorbell rang one night to find a baby left behind behind the door and accompanied by a letter indicating that the child's father is from this family without identification, which raised the suspicions of the wives in their husbands.

Rajab (Fouad Al Muhandis) The shy, hard-working young man in his work loves Sawsan (Shweikar) his cousin and his partner Mitwalli the polygon (Abdel Moneim Madbouly), but she does not feel it and loves her cousin Elham Cabbage (Adel Imam) who is good at dancing and singing and is encouraged by her mother Zahra (Zouzou Chakib) but Metwally The polygon loves

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Abbas Al-Aflatouni (Ismail Yassin), the grocer, went to Alexandria to redeem an olive message, anchovy, and cheese. Fleming arrived at him from Greece, and he was late and went to Locanda to reside there, but he did not find an empty room. Abbas Al-Platoni, the lawyer thought it the famous star, and was welcomed by the Locanda workers everywhere he goes, and the guest Hilal Bey Moon (Abdul Nabi Muhammad) watched him seeking the accompaniment of celebrities and their pride.

The play deals in a social comic framework, the period of the Iraqi invasion of Kuwait in 1990, and what was experienced by Kuwaitis and Iraqis alike during the aggression period, through the social changes that occurred in both societies in that period.

A Kuwaiti social comedy play presented to the leaders of the Gulf states at the Gulf Summit in 1985, which was written by Abdul-Hussein Abdul-Ridha, a satirical play that discusses family issues, family bonding and religious extremism, the play talks about the loss of children and the home, neglect of parents, and who is responsible for that.

Hilal Haji Ramadan is a single person in Salmiya who is a reckless and wasteful person, which leads not to multiply debts on him and chasing his debtors, and he has a friend who is a doctor close to him, but on the contrary, he is a human being, a messenger and a shark lover. A day will come and meet Hilal his princess while she falls in the Salmiya market, and her princess is the beautiful rich girl. He falls in love with her, and the irony lies in that she herself is his fiancée, his close friend, and the events continue until the princess admires Hilal and his opposite personality of his friend and falls in love with Hilal.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

Kuwaiti social theatrics speaks about the life of the Arab citizen and his quest for Arab unity through the personality of (Arabs) who helps (genie Morgan) by going with him on a journey to reunite and unite the Arabs, but he is shocked by a bitter reality with which it is impossible to achieve this dream.

The play revolves around Safwat El-Sherbiny, who comes out of the grave to tell Ghafir his story with his manager at work who was abusive to him, and was trying in various ways to get close to his beautiful wife, desirous of her.

A respectable man inherits a cabaret from his brother and finds himself obliged to manage him and take care of a young girl who dreams of performing a performing dancer

The first Gulf economic play centered on an issue that affected members of Kuwaiti society, which sparked widespread controversy between Kuwaiti society and the Gulf community in general, and the issue was the "Al Manakh Market" crisis in 1982, which ended in losses exceeding $ 22 billion. Where the story tells about the second oil boom of the Gulf states at the end of the seventies and the beginning of the eighties of the twentieth century AD where the price of oil increased continuously until the Gulf countries recorded large financial surpluses, so the money poured into the stock market significantly until it opened a stock trading office in a semi-parallel office and was named a market "Al Manakh" in which money flowed greatly from almost all segments of Kuwaiti society and even foreign residents and some individuals from the Gulf states and increased frantic speculation and increased buying and selling for the future until it reached astronomical numbers.

Abd al-Tajtali Sulayt, a compulsory teacher from the village, goes to Locanda al-Firdaws after he was greeted by Atiyah al-Shalashlamouni and his wife Shafiqa, along with his four daughters, who treat them firmly and strongly, while Samiha was a neighbor of Atiyah who was constantly fighting with her husband Masoud because of her jealousy over him, and she thinks that he is in a relationship with another.

The theatrical events revolve around a comic frame about Adel (Youssef Shaaban), the handsome young man who works at the airport as an air monitor, who is linked to the engagement of Mona (Mervat Amin), the beautiful air hostess, but he loves the air hostesses ’rhythm in his love. The countryside is based on his cousin (Adel), and he is fascinated by the beauty of girls who love (Adel), and tries to imitate (Adel), but in his rural way, which generates funny comic scenes.

Yama Kan Fy Nefsi

The novelist Sami Al-Bagouri finds himself in trouble when he is caught between his jealous wife Zahra and the ghost of his late wife Fekria who discovers that he took another wife.

زهرة الصبار

كان غيرك اشطر

Amshir works as a bodyguard in the cabaret owned by his Medhat al-Shamshiri, and a court sentences Medhat to a month in prison after he burned the mustache of a wealthy Upper Egyptian named al-Najawi. Amshir goes to prison instead of Medhat for money. in meanwhile Medhat relation with Azhar (al-Najawi girl) is revealed to Sohair (Medhat Fiance).