Nexus Laboratories

While struggling to emotionally detach from the deceased, a crime scene cleaner believes a monstrous presence is toying with him.

Parker is stuck in a basement, consciously living out a nightmare he knows will come to fruition unless he is able to warn himself while he's awake. The only problem is he can't remember his dreams...

Two filmmakers set out on an adventure into a creepy old mall, only to find themselves lost in an increasingly claustrophobic maze of hallways, liminal spaces, stairwells and backrooms in this comedic found footage horror film.

Barotraumer

Paradise Man searches for meaning in an unknowable universe.

Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

Trapped in his nostalgia, a sad little ghost is unable to pass through the liminal space he occupies.

Planned film adaption based on viral found-footage shorts by 17-year-old Kane Parsons.

A portrait of a formidable political figure, unraveling the contrasting facets of an iron-fisted tyrant and a man haunted by fear.

Elias is an I.T. technician preparing for an overnight gig. He thinks he's totally alone in the building and is about to find out he's wrong.

[poem_body_memory_voice] None of them belong to each other. All of them belong to themselves. A layered accumulation —___- a poetic exercise on relating*_on_love, migration, and mourning.

In this sequel to the award-winning found-footage film NOCLIP, the two explorers return from the void in search of even more liminal spaces. In the process, they find backrooms which lead to multiple new surreal locations, plus some familiar ones...

Diana, a young woman who suffers from social anxiety, works in the supermarket which forces her to face her biggest fears; unable to communicate with others, she takes refuge in an ideal dream: a still and silent world where she can be free but gradually and without noticing this place threatens to swallow her into oblivion.

Valéria is an unhappy and resigned young woman, who suddenly begins to hear a mysterious voice and see herself in picturesque places, leading her to question some of her choices.

In a liminal world where logic fades, a narcissistic narrator manipulates a lonely young woman trapped in a disturbing cycle of hatred and confusion. A poignant exploration of the inner struggle between power and powerlessness in a senseless world.

A snappy animated diversion turns simple graphic symbols into colorful arrows of resistance. In the field of the rudimentary predecessor of the Internet, the author uses the tried and tested tactic of détournement in order to overcome the limitations of narrowly defined frameworks and transform the screen into a space of new meanings and the scene of a battle against the banalization of the mind. A battle that may have already been lost, but that does not mean that we can afford to lose the sharpness of the senses and the sharp sense of humor that the author demonstrates by repurposing outdated media technology in order to lucidly mock her and our reconciliation with the given state of affairs.

The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.

In a rainy Brazilian city, an amnesic man is taken in by a lonely clickworker at a course for people with a strange neurological syndrome. After using an addictive AI device, he embarks on a tragic and absurd journey to find where he truly belongs.

A collection of solitary urban images intersect with each other.