A group of drunk students kills a person in road accident and disposes the body. The ghost of deceased starts to get revenge.
given gains buzz after a failed audition, but things get complicated when Ritsuka is asked to play for Mafuyu’s old friends’ debut show.
Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.
An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.
Determined to prove herself, Officer Judy Hopps, the first bunny on Zootopia's police force, jumps at the chance to crack her first case - even if it means partnering with scam-artist fox Nick Wilde to solve the mystery.
A spring night is a poetic film which is based on the motives of the poem by V. Lugovsky. The film is devoted to the theme of fidelity to the battle traditions of revolutionary past, to the theme of human happiness the sense of it in the battle for high ideals.
In a leafy forest, a Galician sovereign who longs to attain wisdom meets a sorcerer, who tells him: “Go back to your country and study the Earth and the Stars in the sky; anywhere in the world reflects an image of it. You will ride on this arrow, which you must keep for a hundred years and a day. After this time, stick it in the widest valley of all those you possess, with the tip facing the sky. Then the Moon will come and, just as it exerts its action on the waters of the sea, it will act on the arrow, turning it into a holy mountain." - Legend about the Pico Sacro Inspired by Hokusai's views of Mount Fuji and Cézanne's paintings of Mont Sainte-Victoire, "Pico Sacro [The Holy Mountain]" aims to reveal the mystery and the magic that underlie reality.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.
His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.
A musical fantasia on religion and the nature of exploitation.
A boy fears the monsters that go bump in the night and discovers reality is much more frightening than he could ever imagine.
A live performed on August 5, 2011 at NHK 101 Studio in Shibuya, Tokyo. Yellow Magic Orchestra, who has almost never done a studio live, played "RYDEEN", "FIRECRACKER", "COSMIC SURFIN", and others, in front of about 1,000 spectators selected by lottery. Keigo Oyamada, Tomohiko Gondo, and Christian Fennesz participated as support members.
Three parallel stories depict the everyday insanity of the German capital, between motion and gridlock, the ticking clock and money trouble.
For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.
Hannah is a mute teenager. Thomas eats roadkill. After Hannah is sent to live with her uncle in the lonely countryside, the two meet, forming an uncanny relationship. Their only obstacle is the outside world.
A domestic live tour in 1981 when YMO released two masterpiece albums, "BGM" and "Technodelic". A live concert filmed at the Shinjuku Koma Theater, "WINTER LIVE 1981" focuses on songs from "BGM" and "Technodelic" and symbolizing the mid-term YMO catalogue along with artistic performing art. The audio is also remastered, giving the viewer a more realistic feel.
goodnight and rest.
A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)