Ameríndia - Memória, Remorso e Compromisso no V Centenário

Tom Hill, a Seneca artist and curator, explores the works of four contemporary Indigenous artists.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.

In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.

Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.

Meet Vern Harper, Urban Elder, who walks the "Red Road" in a fast-paced, urban landscape. The camera follows Vern as he leads a sweat lodge purification ceremony, watches his 11-year-old daughter Cody at a classical ballet rehearsal, conducts a private healing ceremony, participates in a political march of 150,000 people, and counsels Indigenous prisoners at Warkworth Federal Prison.

An Aboriginal Australian and Native American documentary narrated by award-winning actor Jack Thompson, One Heart-One Spirit tells the story of Kenneth Little Hawk, an elder Micmac/Mohawk performing artist, meeting the oldest surviving culture on the planet: the 40,000 year old Yolngu nation located in northern Australia.

Thirty years ago, a rubber company enslaved a group of Asháninka people, manipulating them into tapping the trees in the lush borderland between Peru and Brazil. The company was expelled by a coalition of Indigenous and non-Indigenous people, led by one mixed race couple. Now the adult children of this marriage combat political corruption and ongoing environmental disaster.

The secret world of plants gets us closer to these motionless and quiet creatures, so attractive and surprising as the rest of the living creatures. The documentary reveals the most unknown aspects of the vegetable kingdom. We learn about the secret of the eternal youth of a 3500 years old sequoia and be charmed by the 'rafflesia arnoldi' flowers, able to reach up to one meter of diameter.

“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.

In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.

Greenland has become a major geopolitical issue between the United States, Europe, Russia, and China due to its geographical location and mineral resources. Its geopolitical destiny will have significant ecological consequences for the entire planet. What choice will the people of Greenland make? The largest island in the world, with its 2.2 million square kilometers covered 80% by ice, is also one of the least densely populated territories on Earth, with barely 57,000 inhabitants. Mainly living off fishing, tourism, and Danish subsidies, yet sitting on a potential treasure. We are talking about 25% of the world's hydrocarbon reserves, the third-largest uranium reserves, and 20% of rare earths. An icy Eldorado that today sparks all sorts of ambitions, one of the hotspots where the future of our multipolar world is being shaped. This is what the film will explore, addressing both its economic and commercial challenges, as well as its geo-ecological and military implications.

Amazônia, a Nova Minamata?

This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

The impact of the Zapatista uprising in Chiapas, Mexico, on the lives of the Mayan women who joined as rebels to seek justice within their own culture.

A 13-year-old Indian boy is found unconscious after being attacked in the jungle by the evil spirit Fayu Ujmu. A shaman attempts to ritually tame the spirit and advises the boy’s father to capture it. This story is based on a Chachi Indian legend; it was shot with indigenous inhabitants of the jungle community of Loma Linda, on the Rio Cayapas.

The historic gathering of three hundred indigenous activists from North, South and Central America who met in Quito, Ecuador, in July 1990 to organize a cross-continental indigenous resistance to the Columbus Quincentennial.

Povo da Floresta

In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. The center also took up activities such as recording stories told by elders so that some part of the past would always be alive and teaching children about their heritage in order to make them feel connected to their ancestors. This film documents the cultural significance of these events for today's Kwakiut'l people. It is an eloquent testimony to the persistence and complexity of Kwakiut'l society and to the struggle for redefining cultural identity for them.