Anamnesis

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

A randomly chosen name and random scenes shot in two different hours. Monologue (story) adapted later according to name and scenes with "Funkadelic - Maggot Brain".

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

An experimental short film that follows a man who arrives home alone during the holidays after a long day of work. Finding himself consumed by his loneliness he looks for a way to escape.

WHAT IS THE BEST FOR HIM? HIMSELF? THEM? HER? A twenty-year-old young man sees himself as someone who struggles in social life. One day, while looking in the mirror,he sees a change in himself, and from then on, everything started to change.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Es quizás

Experimental film by Ivan Martinac.

A brass band member's hate comment in a public toilet triggers a chain reaction of diverse social expressions.

Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.

She is defined; from birth on. The role she has to play, who she is and what she is made of is not determined by her. If one’s own body and gender are a political issue, it is about time that one’s own voice is heard.

From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.

Experimental short film. A young woman is left stranded in an abandoned industrial building, bound by 16mm film. Meanwhile, an angel roams a highway. Also known as Jesus With One Leg.

When he returns to his hometown, everything has changed to an unknown place. And, in the silence of the night, he will wake up at 3.15 a.m., haunted by his forgotten memories.

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.

The ideal comfortability of a kitten is taken away by a man impersonating as such. Refusing to stop until the owner gives full surrender.

Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.

One night, a supernatural figure emerges from the darkness to find a human who is grieving the death of his mother. As the figure watches closely, it soon discovers the value of human love and its strength to bring people together.

Palácio das Memórias

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