Comment ne pas avoir peur de la Mort

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

"Eighteen, Nineteen" depicts a youth scandal involving fraternal twins Ho-Ya and Seo-Ya. They experience their last winter before they become adults ...

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

After robbing a jewelry shop in Canada, two Americans arrange a meeting near the US borders in order to split the loot. One of them has an accident with his car on his way there and gets stuck in an isolated motel until his car is fixed. The owner of the motel, a sexy woman in her thirties, falls in love with him, but her suspicions about him begin to multiply, as the police arrive at the motel...

When Elisa confronts Sean about finally building towards the life they both dreamed of, it occurs to Sean that there's no time like the present to make a change. The question is, did he wait too long?

Amira, a smart and spirited young woman studying at an Islamic boarding school, is thrilled when she enters an arranged marriage with Furqon, the cleric she has admired since her school days. But her happiness quickly fades when, even after their wedding night, Furqon never touches her. Doubts begin to grow—does her husband have a sexual disorder, or is something worse hiding beneath his silence? Could there be another woman he still loves?

Free after years in prison, Carlito Brigante intends to give up his criminal ways, but it's not long before the ex-con is sucked back into the New York City underworld.

Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.

A successful, attractive, intelligent and brilliant advertising executive is longing to finally find emotional stability in his life, and decides to propose to his girlfriend. After she refuses his proposal, his life takes a turn when a new young lady enters his life.

Alina, who has a harmonious and loving family, never expected that the arrival of a new nanny in her home would become a significant threat. Now, Alina is faced with the choice to let go or fight to protect the unity of her family.

Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.

Soviet High School girls are sent to the U.S. where they are taught to become secret agents and use sex to find information.

There is something horribly wrong with the bodies found in the dark city streets. Some are mutilated while others have the Price equation (wΔz = Cov (w,z) = βwzVz) carved into their flesh. Detective Eddie Argo and his new partner Helen Westcott unearth the meaning of the odd equation and realise each victim is being offered a gruesome choice: kill your loved ones, or be killed. Before long it becomes clear that the perpetrator has suffered a similar fate and is now coping by seeking a way to solve this philosophical dilemma.

A drug addict awakens to find the girl he is with dead, and must rush to escape the consequences.

Alex has a disturbing hobby of following strangers...until one night he gets caught. Instead of calling the police, the couple--fascinated by Alex's resemblance to their dead son--asks him to stay, and Alex finds himself trapped in a horrifying existence of desperation, despair, and insanity.

Just as Necrón resigns himself to never completing his book, a mysterious mirror arrives at his door, beckoning him. From that night on, inspiration comes to him unannounced, cloaked in mystery. Yet when the mirror has shown him every face he wears, will Necrón find the courage to confront his own demons?

1941 and the war culminates. The wife of a lieutenant and a sergeant fall madly in love. Times and circumstances -military service, marriage, friendship between the two men- forbid this love, but do not negate it. When the lieutenant is injured and taken to hospital, the two lovers, against all odds, dare the only possible way out: he defects, she leaves her husband, and they begin a journey without return towards the border.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

World War II vet Paul Sutton falls for a pregnant and unwed woman who persuades him -- during their first encounter -- to pose as her husband so she can face her family.

A military veteran goes on a journey into the future, where he can foresee his death and is left with questions that could save his life and those he loves.