Tingog sa Carbohanon

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

The baker, the pie-maker and the diminished long-term community of Hoxton Street face gentrification in this compelling portrait of a rapidly changing London.

Despite being only a five-minute boat ride away from Cebu City, at the foot of the country’s record-breaking new expressway, Shell Island is an unfamiliar name to many Cebuanos today. “Dalangpanan” sheds light on the island, following a day in the life of one of its residents to uncover the stories and struggles of living on a forgotten, desolate land amidst progressive, bustling cities. Through the voices of the Shell locals, audiences learn why and how they ended up settling there, and what their future could possibly be. The documentary’s title, which literally translates to “refuge” in Cebuano, is a nod to what the island might mean to those living on it—a home, a source of hope, or even more.

Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.

Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.

An ancestral house builds itself, comes to life, and shows us its story spanning one hundred fifty years. Through the ages, it allows us to perceive the passage of time.

Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.

San Francisco has long enjoyed a reputation as the counterculture capital of America, attracting bohemians, mavericks, progressives and activists. With the onset of the digital gold rush, young members of the tech elite are flocking to the West Coast to make their fortunes, and this new wealth is forcing San Francisco to reinvent itself. But as tech innovations lead America into the golden age of digital supremacy, is it changing the heart and soul of their adopted city?

Destroyed in a dramatic and highly-publicized implosion, the Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. The Pruitt-Igoe Myth explores the social, economic and legislative issues that led to the decline of conventional public housing in America, and the city centers in which they resided, while tracing the personal and poignant narratives of several of the project's residents. In the post-War years, the American city changed in ways that made it unrecognizable from a generation earlier, privileging some and leaving others in its wake. The next time the city changes, remember Pruitt-Igoe.

An author spends a year and a half filming what happens as a new apartment building is built in a neighborhood of Barcelona.

Director Kelly Anderson's personal journey as a Brooklyn 'gentrifier' to understand the forces reshaping her neighborhood along lines of race and class. The film reframes the gentrification debate to expose the corporate actors and government policies driving displacement and neighborhood change.

Su Friedrich's personal essay charting the destruction of Williamsburg, Brooklyn. After living in the neighborhood for 20 years, the filmmaker was one of many who were forced out after the city passed a rezoning plan allowing developers to build luxury condos where there were once thriving industries, working-class families, and artists. Filmed over many years, it is a scathing portrait of one neighborhood's demolition and transformation.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

A journey through the fantastic and mysterious Barcelona that the Spanish writer Carlos Ruiz Zafón (1964-2020) loved so much, the city of myth and legend, the city that was before it became one of the main European tourist destinations.

Quartiers sous tension

Cruel Architecture, a Tool of Gentrification

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

The documentary Two Doors traces the Yongsan Tragedy of 2009, which took the lives of five evictees and one police SWAT unit member. Left with no choice but to climb up a steel watchtower in an appeal to the right to live, the evictees were able to come down to the ground a mere 25 hours after they had started to build the watchtower, as cold corpses. And the surviving evictees became lawbreakers. The announcement of the Public Prosecutors’ Office that the cause of the tragedy lay in the illegal and violent demonstration by the evictees, who had climbed up the watchtower with fire bombs, clashed with voices of criticism that an excessive crackdown by government power had turned a crackdown operation into a tragedy.

What kind of world power is Iran becoming, and how will Western countries deal with it?

A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.