After a man-made disaster decimates an evergreen island, a stranded 11-year-old girl must find the tenacity to leave behind her home with the help of an unlikely ocean friend.
Inside a cold and rusty bunker, Irina and Georgi endure the aftermath of a nuclear war. Georgi’s heavy radiation sickness and imminent death prompt Irina to repair his old, beloved guitar so he can hear it one last time.
A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.
uNomalanga and the Witch, which follows newlywed Nomalanga, who moves into a new neighborhood with her husband and finds herself intrigued by a mysterious widow who everyone suspects killed her late husband
Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.
A lonely boy starts an online relationship with a girl during lockdown. One day she vanishes and as the days go by the line between the digital and the real starts to blur.
Waxing nostalgic about the bittersweet passage from childhood to puberty, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
An ambient piece created to preserve the memory of the director's childhood home prior to renovations. The film itself is shot from the perspective of a child wandering around their home and simply observing all of what is inside of it.
Azerbaijan. Yagub has nothing left but beats his disabled son Musa until a shattering message brings about a sudden turn.
Mikail had to flee Chechnya for being homosexual. Unexpectedly meeting his old childhood-friend Daud in Germany, Mikal is not only faced with a renewed friendship, but a recurring fear of persecution.
After coming out as non-binary to their parents, Grace materializes at their future selves’ birthday party and realizes everything they want to be is inside of them.
ONE DAY, TEN PEOPLE - HOW DO THEY ALL CONNECT? OUR CHARACTERS INTERACT WITH EACH OTHER IN THE BUILD UP TO A GIG THEY ALL ATTEND, THROUGH VHS FLASHBACKS WE UNVEIL WHAT HAS HAPPENED BETWEEN THEM. FITTING ROOM IS AN EXPERIMENTAL SHORT THAT PLAYS WITH THE COMING-OF-AGE GENRE. UNLIKE MOST COMING-OF-AGE TALES, NO STORY IS MORE IMPORTANT THAN ANOTHER AND NO ONE IS THE NARRATIVE FAVOURITE. IT AIMS TO UNIFY THOSE WATCHING THROUGH THE MEMORY OF FEELING, NOT THE SPECIFICITY OF EXPERIENCE. EACH CHARACTER IS GOING THROUGH THEIR OWN DIFFICULTY WITH GROWING-UP BUT FITTING ROOM HIGHLIGHTS HOW NO ONE DOES THIS ALONE AND HOW WE LEARN FROM EACH OTHER CAN AT TIMES BE THE MOST IMPORTANT LESSONS OF ALL.
A group of bored, disaffected New York City teenagers spend a day skating, smoking, drinking, partying, deflowering virgins, and getting into fights.
Indy and Finn are best friends who escape into the forest to create a fantasy film filled with heroes, monsters, and wooden swords. As they immerse themselves in their imaginary world, the real world quietly encroaches, Finn is moving away, and neither boy knows how to say goodbye. Their playful filmmaking project becomes a means of clinging to a fleeting connection. Through toy knights, hand-drawn monsters, and whispered arguments, the boys wrestle with the inevitable changes that come with growing up.
A swimmer prepares for the swimming championship final, and hours before the tournament, terrifying and suspicious situations and events happend to him
After June and Charlie break up, Theo finds a scrapbook containing their fondest memories together, and he becomes obsessed with their relationship. He convinces June to try and win Charlie back by recreating moments from the book. Dear June follows the intricacies of a relationship going downhill and explores how straight men view and tokenize sapphic relationships.
Young-taek suffers from an allergy to sunlight, and his boyfriend Eui-jun is tired of only dating in the dark. On his birthday, Eui-jun wishes to be able to enjoy a daytime date, which gives Young-taek the courage to plan a lunch date, but will things pan out?
"Nora" is based on true stories of the dancer Nora Chipaumire, who was born in Zimbabwe in 1965. In the film, Nora returns to the landscape of her childhood and takes a journey through some vivid memories of her youth. Using performance and dance, she brings her history to life in a swiftly-moving poem of sound and image. A girl who is constantly embattled - struggling against all kinds of intimidation and violence - but who slowly gathers strength, pride and independence.
This is the visit to an exhibition of painting and photography with the help of a girl named Claudia, and a sickness called Anorexia.
Based on the biblical story of Abraham and Isaac, from Genesis: “God promised Sarah and Abraham they would have a son, even though she was past childbearing age.” After Isaac is born, to test Abraham’s obedience, God instructs him to sacrifice his only son. As the pious Abraham begins to prepare for the ritual sacrifice, he is stopped by the angel of the Lord and Isaac’s life is spared at the last moment.