Two young women try to adapt to a new city: nostalgia, loneliness, friendship and family are mixed throughout the emotional process of both characters. A reflection on the sense of belonging and the experience of being a foreigner.
Short documentary about a trawler fishing for hake.
"Rail" captures British Railways at a major turning-point in its history. In certain respects, this was a period of considerable upheaval and loss. There was a facing-up to the increasing need for a big modernisation drive. Full and speedy electrification, or the wider promotion of diesel-power on remaining lines, became a matter of top priority. Geoffrey Jones recorded a rapidly disappearing world of everyday steam travel, with its labour-intensive rail workforce : some of the footage in "Rail" (recognisable from "Snow") dates from around 1962.
“Sisters” is a deeply personal story about my journey back to my home country of Venezuela to investigate the possibility of a long lost sister.
In this 40-minutes-documentary the ecologist and filmmaker David Cebulla is on a quest to find one of Germany's shyest and most endangered species: the European wildcat. During a scientific pre-study, by chance, he made the first record of a wildcat in an area near his hometown Jena. Thereupon he dedicates a whole year to get the genetic evidence and a really splendid film recording of a free-living wildcat. For this reason he sets up trail cameras and lure sticks. To find out more about these animals he meets up with two interview partners in course of the film. The Thuringian wildcat expert Silvester Tamás answers questions regarding estimates on the stock of free-ranging wildcats and the protection of the species. Matthias Krüger is head-taxidermist at the Jena Phyletic Museum and explains what we can learn from wildcats found already dead.
Chesterton, Indiana's annual WIZARD OF OZ parade (as well as their many Oz-themed festivities) provides the backdrop for I MARRIED A MUNCHKIN, Tom Palazzolo's study of the life and career of Mary Ellen St. Aubin. Self-described as "normal, but little," Mary Ellen details her early start in show business as a performer in an all-dwarf vaudeville act, her brief appearance in 1946's THREE WISE FOOLS, her 1948 marriage to former Munchkin Parnell St. Aubin and their subsequent retirement from entertainment to run a bar (called the Midget Club) in the South Side of Chicago. Two other former Munchkins (Margaret Pellegrini and Clarence Swensen) briefly appear among the day's revelry. Also included is a postscript (shot some time after the initial film) featuring Mary Ellen briefly describing the original size of her role in THREE WISE FOOLS, which originally featured a line and an ill-fated "flying" effect. - Tom Fritsche
Laura Green, 63, wakes up every morning and keeps skiers safe through backcountry avalanche forecasting and avalanche mitigation at Mt Hood Meadows resort. When Laura’s dear friend is caught in an avalanche, suddenly these dangers hit close to home. Director's note: On December 6, 2018, Laura Green lost her life in a windsurfing accident. She never had the chance to see this film. This story is dedicated to Laura and all she has done for mountain culture and public safety in the Pacific Northwest.
For 100 years, we have waged war on wildfire in the United States, and ironically, have created a more volatile landscape than ever.
Aleksander Sokurov brings the treasures of the Hermitage back into the light by making films about artists and their paintings. He has chosen the painter Hubert Robert, who spent a long time in Italy, and whose preference was for creating ancient ruined landscapes and naturalistic portrayals of times past. He was successful with the wealthy, who bought his works from him. The camera pans across the paintings while Sokurov speaks of a happy era, when the artist was at one with the spirit of the times, and agreed with the taste of his clients. Just how far removed from us this is, is shown by pictures of a "Nô" performance which are inter-cut on the screen. No words are necessary to describe what everybody knows today.
Body Team 12 is tasked with collecting the dead at the height of the Ebola outbreak. These body collectors have arguably the most dangerous and gruesome job in the world. Yet despite the strain they emerge as heroes while the film explores their philosophy and strength.
First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)
After being invited by Benjamin Millepied to a rehearsal for the L.A Dance Project's premiere performance, Oscar-nominated director Alejandro G. Iñárritu was inspired to make a video-exercise that documents movement and dance in an experimental way, with a stream of consciousness narrative. The story takes place in a secluded, dusty space and centers around LADP dancer Julia Eichten who seems to be on an eternal search... for herself.
Claude Ventura's documentary Chambre 12, Hotel de Suede, was made for the French television channel Arte in 1993. Ventura checks into room twelve in the hotel's final week of operation: it is demolished the day after he checks out. Room twelve was one of the principal locations for Jean-Luc Godard's New Wave masterpiece Breathless, and Ventura's documentary investigates the production of Godard's film.
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention.
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.
France, il était une fois demain
Showcasing three short films by American writer James Baldwin, wherein he muses about race, sexuality and civil rights, among other topics, in Istanbul, Paris and Great Britain.
A 96-year-old woman in a Kerala village pursues her lifelong dream of getting an education. Having never gone to school, she must start at the beginning...first grade.
It seems highly unlikely that Colonel Sanders ever thought that he would be selling his Kentucky Fried Chicken to the Japanese, but Kentucky Fried Chicken, Japan, Inc. is doing just that, and doing it successfully. The company, headed by an American director and staffed by the Japanese, has raised the business of fast-food retailing to an art. Here West meets East as the Japanese are shown how to prepare the product and the Americans are introduced to the fine art of Japanese business. –cte.uw.edu