Estelar

My Body Is Not My Home is a 3D animated short film following the journey of an uncanny simulacrum who undergoes the process of becoming the ‘Other’.

As she deals with the consequences of a near-death experience, Katherine finds herself stuck in limbo, piecing together her past lives while dealing with loneliness, isolation and trauma, finding solace in unusual places

A previously lost political satire animation about Arturo Alessandri, the recently elect president of Chile at that time.

Short animation about biology, cyborgs, chickens, symbiosis and suffering.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

Regeneration is a film about transformation. Starting in a dark place the character reaches toward the divine and breaks into the world of the spirit. Through this act representing an outstretched hand we see that the Holy Spirit represented as a dove is pursuing us even more urgently. The meeting of the two represents the freedom in flight found in trusting fully in the Holy Spirit and is completed with the return to the heart now fully regenerated.

Childhood memories resurface through the heat, the sounds, and the overwhelming nostalgia of coming home to the City of Mangoes.

Europa Too

Sally is in the digital world. Sally watches, listens and learns. Sally generates through the digital language. Sally wonders, is Sally OHOIOrOI? Maybe Sally is a part of OHOIOrOI. But this film was made with 0% OHOIOrOI.

The best short film about Jesus during the pandemic.

The story of SIDESTAGE is one of Theatre. That moment before you step onstage, when suddenly every worry floods your mind, and the thick stage makeup suddenly feels too heavy, and you know you look ridiculous. You can't remember your queues, your blocking, you don't even know if anyone is in the audience to see you. But then your queue comes up, and it all fades away, and the show goes on.

Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.

CG animation. Parodies BIO-SENSOR (1984).

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

If you are tired of shopping within the bounds of the boring and ordinary three dimensions, you can count on Corrado, our experienced and definitely not mentally deranged salesman, to guide you through our endless aisles.

"An animated absurdist exploration of North American popular culture and fast food. Made for the 5th anniversary of the Bookmobile project." - Cartune Xprez

In the dead of night I see your face before mine. Cobwebs stuck between the face of time keeps ticking. To undo the memory. Keep trying.

An exploration of phenomena through the glyphic constitutions of geography. Pictorializing the growths and formations of earthly "bodies" (land, life, technology, language) using humanity's most elemental symbols of communication. A voice, satellite-like in its disembodiment, articulates its stream of consciousness or lack thereof; its monologue meanders and overlaps, leaving viewers space to interpret the visual material of the colorful runic terrain. The ontological map is thus instantiated.

A man goes on a walk.