USSR (1917-1991)

Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.

A young Egyptian filmmaker recounts his interaction with a group of plainclothes policemen while grappling with issues of guilt and morality.

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).

Seven images, each staging their own disappearance.

An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.

Depois dos Gigantes de Ferro

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

Innocent nature walk leads to a discovery of the morbid nature of humans.

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Unknown to the rest of the world, Ovacik is a place where production meets solidarity and hope with almost no budget. Its mayor is the first mayor ever elected from the Turkish Communist Party. The film follows the mayor and the residents who work to develop a sustainable economy by promoting community-based agriculture. The story of Ovacik sets an example for agricultural towns around Turkey.

Poslední revoluce

This short film shot in a small town in Sweden navigates themes of nostalgia through an original monologue, reflecting on gender identity struggle and the pursuit of a new beginning in a foreign land.

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Documentary about Charles Gagnon, Québécois politician, FLQ member and communist leader.

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

A fringe communist party struggles to entrench itself within a pro-Palestinian encampment at a British university. Meanwhile, in 1967, the New Left grapples with an unconvinced public.

At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.

From January 25 to May 27, 2011, the film tracks four months of the Egyptian revolution as seen through the director's eyes. January 25 is the beginning, but May 27 is not the end - because the revolution continues.