As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.
The film dives into 1970's Britain; the birth of punk and the formation of Crass, with an in-depth look at their art, music and ethos.
"This Is What Trans Punk Looks Like" is a documentary about the transgender punk culture in Texas and the beauty of community. It features several interviews with trans individuals within the scene, talking about their childhood experiences, Texas' political climate, and what punk means to them.
Filmed for television at the legendary SO36 Club in Berlin, 1983.
A series of 3 episodes showcasing alternative bands including: Equinox, Scandinavian Fruit and Bellache. Directed by Sid Forbes.
This is a documentary of interviews with music journalists and Jam fans, and including clips from the following tracks: Town Called Malice In The City All Around The World The Modern World A Bomb In Wardour Street David Watts Down The Tube Station At Midnight Eton Rifles Going Underground That's Entertainment, ... Plus More
Concert held at Akasaka Blitz on October 12th, 1999 — the final show of the Making the Road Tour 1999
Documentary covering the wildest moments of GG Allin and The Murder Junkies.
In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community.
The Missing Boys
A documentary about Who's Emma, a collective of punks and anarchists that existed in Toronto's Kensington Market from 1996 to 2000.
Metzer 58 play Punk. They were founded in a meet-up at Lebenshilfe Münster, an NGO that provides housing and other services to people with disabilities. The band consists of disabled people and able-bodied people. That doesn't really affect the topic of their songs or the amount of chaos and excess at their gigs, though. In this documentary, director Tobias Stiegler follows the band on tour and paints an intriguing portrait of Metzer 58
Käseburg
In the working-class suburbs of Melbourne, three friends are in the process of putting together the ultimate rock band; INN OF THE DAMNED. The only thing is they are missing is the perfect drummer. Over the course of one night, at their local pub, they meet a series of drummers but none of them live up to their lofty expectations.
A "life without work" - this is the idea propagated by the "Anarchist Pogo Party of Germany" (APPD). In order to spread its unique political concept and to make the background to its activities appear transparent and credible to the voting public, the APPD commissioned a renowned film production company to create a loose mixture of subliminal propaganda and sympathetic trivialization. The film was also to focus on the glorification of the APPD politicians appearing in the election campaign in order to create the basis for a profitable cult of personality. A film that makes it crystal clear, compelling and, of course, intentional that the mob is on its way to power.
Los demenciales chicos acelerados. Pt 2: Barcelona y alrededores
At an underground rock gig in Bogotá, a young singer is just minutes away from his live debut. But everything is thrown off when he learns that Medusa is in the crowd… a girl who will plunge him into a terrible nervous breakdown.
A punk scarecrow, endowed by life, annihilates its roots and revitalizes its territory.
In their early years, SNFU built an audience across North America through energetic live performances and a dynamic punk sound. Their 1985 debut album ...And No One Else Wanted to Play has remained influential in underground circuits. They grew in popularity following two further studio albums, but disbanded in 1989 due to internal tensions. SNFU reformed two years later, however, in a second incarnation which found greater success. They signed with the prominent indie label Epitaph Records, achieved six-digit record sales and toured in support of larger groups. They became independent in 1997 after the expiration of their contract with Epitaph. They again disbanded in 2005, only to reform two years later.
Não é Permitido: um recorte da censura ao Punk Rock no Brasil