Kudure Mukha

A tutor hired by a wealthy family witnesses a murder, while travelling by a train. She faces a dilemma when she realizes that the murderer is the patriarch of the family she has been hired by.

A former hitman wallows in the idea of him having to come in terms with the fact that he is ageing up without a purpose (in this new life) as he is confronted by the demons of his past life.

Bangarada Gudi is a 1976 Indian Kannada film, directed by K. S. R. Das and produced by C. H. Prakash Rao. The film stars Vishnuvardhan, Manjula, Ambareesh and Padmapriya in the lead roles. The film has musical score by G. K. Venkatesh. The director remade the movie in Telugu in 1979 as Bangaru Gudi.

Passingness is a haunting exploration of identity, memory, and the fragile edge of reality. As the narrative unfolds through emotionally charged performances and a tense, introspective atmosphere, the audience is drawn into a fragile space between being and disappearing. A haunting meditation on identity, loneliness, and the terror of not being seen. Driven by intense, intimate performances, the story unfolds in layers of psychological tension, revealing inner scars, blurred truths, and the quiet terror of not knowing who you are or if you ever were.

Sanjay and Abhisekh, two friends are talking in a cafe. Sanjay slowly starts seeing things straight out of his darkest nightmares.

Frannie flees her hometown due to a triple murder. Starting a new life in Chicago, she returns home 10 years later after the death of her brother and she must decipher a letter that suggests the wrong person was accused of the crime.

Many have heard of Fela Anikulapo-Kuti, the legendary artist from the 70s and 80s. But some may not know that his mother Funmilayo Ransome-Kuti was also a legend in her own right, as a women's rights activist unabashedly pushing for equality in Nigeria at a time when people weren't having those conversations. "Funmilayo Ransome-Kuti" the film emerges as a new vivid exploration of Ransome-Kuti's journey. From growing up and learning about the importance of education, to her groundbreaking step in becoming the first girl to attend Abeokuta Grammar School at just 13, going to London and then becoming emboldened to return to Nigeria to step into her role as an educator and organizer.

Desperate to save his dying wife, Matt turns to The Bag, an ancient relic with dark magic. The cure demands a chilling ritual and strict rules. As his wife heals, Matt's sanity unravels, facing terrifying consequences.

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

We see Afiqah looking at herself in her bedroom mirror. She is wearing her graduation gown and fixes the cap on her head, taking in her appearance. She smiles at herself, then looks at a photo in a frame. It is a photo of Afiqah as a child with her father Roslan. She smiles a little sadly as she picks up the photo frame. Afiqah and her father Roslan are shown together in a flashback scene until Roslan was laid up in the hospital which has been set up for medical care. He lies in a hospital bed, with a nasal prong in his nose, and an oxygen tank by his side, he has terminal lung cancer. Amira (Roslan Wife) is by his side, wiping down.

A blind girl and a woman struggle to surive on a rest stop.

As violent actions at a bus stop ensue, a brave man steps in with unexpected consequences for everyone involved.

On her eighteenth birthday, Lena is trying to bond with her family. All Souls’ Day, a time for contacting the dead and getting together to return to one’s roots, puts our protagonist in a special mood and changes her outlook on her own problems. Everything that happens throughout the day will revolutionise Lena’s view of her family. It is a story of the search for one’s identity and roots, of life and death, of the co-existence of parallel worlds that come together through the power of love.