Premada Kanike

Bangarada Gudi is a 1976 Indian Kannada film, directed by K. S. R. Das and produced by C. H. Prakash Rao. The film stars Vishnuvardhan, Manjula, Ambareesh and Padmapriya in the lead roles. The film has musical score by G. K. Venkatesh. The director remade the movie in Telugu in 1979 as Bangaru Gudi.

Professor Nataraj, a historian, unearths some invaluable secrets of the past. Rekha, his daughter, seeks the help of Mohan, to save his findings from notorious criminals.

A former hitman wallows in the idea of him having to come in terms with the fact that he is ageing up without a purpose (in this new life) as he is confronted by the demons of his past life.

Sanjay and Abhisekh, two friends are talking in a cafe. Sanjay slowly starts seeing things straight out of his darkest nightmares.

Passingness is a haunting exploration of identity, memory, and the fragile edge of reality. As the narrative unfolds through emotionally charged performances and a tense, introspective atmosphere, the audience is drawn into a fragile space between being and disappearing. A haunting meditation on identity, loneliness, and the terror of not being seen. Driven by intense, intimate performances, the story unfolds in layers of psychological tension, revealing inner scars, blurred truths, and the quiet terror of not knowing who you are or if you ever were.

This is a story of a miserable life of Vissanee, a young cute girl who has a chance to fulfill her life with this accidental love.

Through Fire to Fortune

A normal office worker, Wang Cuihua, is transported into a book and becomes a side character. She teams up with the story's main character, who is also a time traveler, to change the plot, solve crises in the alternate world, and ultimately return to modern life together.

Noël en Quercy

An adaptation of Henry Van Dyke's classic tale of Artaban, a Persian believer who spends 33 years seeking the Christ child only to finally reach him at the time of the Crucifixion.

A wanderer meets an unusual woman on the banks of the Seine.

The film shows Nandia, who tells her daughter that her father has gone bankrupt and believes that her father's business is gone and there is no one else to take care of the family, shaking up the fashion world and conquering it with her innovative designs to save her father's honor.

The process of car-buying, as seen through the eyes of a financial professional.

France has been living alone in her apartment since the death of her husband. When she hears on the radio that the Singa association puts homeless migrants in contact with people who can take them in, she decides, against the advice of her family, led by her son, to take in Reza, a young Afghan broken by war and exodus. This is the story of two worlds that collide, get used to each other and end up reaching out to each other.