Bright Future

New light is shed on the complex relationship between Romy Schneider and her mother Magda, a German film star of the 1930s admired by Hitler - who welcomed her and her daughter to his chalet in Berchtesgaden.

In the second part of our film about North Korea, we peeked into real life in one of the most closed countries in the world. What does the average person's day look like? What currency do they use? Who works the fields? What do local guides hide from tourists? To answer all these questions, we grabbed a hidden camera and went filming in North Korea.

The love of Kim Jong Il, the former dictator of North Korea, for cinema and his adventures, including the kidnapping of a director.

In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.

They speak the same language, share a similar culture and once belonged to a single nation. When the Korean War ended in 1953, ten million families were torn apart. By the early 90s, as the rest of the world celebrated the end of the Cold War, Koreans remain separated between North and South, fearing the threat of mutual destruction. Beginning with one man's journey to reunite with his sister in North Korea, filmmakers Takagi and Choy reveal the personal, social and political dimensions of one of the last divided nations on earth. The film was also the first US project to get permission to film in both South & North Korea.

Bob Woodruff’s daring 880-mile journey along the China-North Korea border examines the delicate relationship between the two countries and the United States.

The film weaves together archival footage of Yugoslavia’s idealized unity with a personal investigation into the filmmaker’s grandfather’s imprisonment under the regime. Rooted in archival theory, the project questions the authority of official histories, exploring how archives shape power and memory.

Shrouded in secrecy and notoriously cash-strapped the North Korean regime has resorted to running one of the world's largest slaving operations - exploiting the profits to fulfil their own agenda. These bonded labourers can be found in Russia, China and dozens of other countries around the world including EU member states. Featuring undercover footage and powerful testimonials, we reveal the scale and brutality of the operation and ask what, if anything, is being done to stop it.

Pyongyang, a city full of happy people and flowers. A city of factories with smiling seamstresses and welders of locomotives. A city of power plants the illuminate department stores offering the fruits of the labour of its workers and peasants. Everybody spends their free time in sports palaces with synchronized swimming and white doves, or in the palace of cultures, where young pioneers play the accordion. Old men and women go on walks and young lovers rent boats by the river, above which arches a rainbow, a symbol of happiness and contentment.

The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea's vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.

Amarás al líder sobre todas las cosas

This film is a testimony. These are the images and sounds recorded throughout the area of ​​struggle of the Saharawi people and they testify to their will to live free at home while placing the "Sahroui problem" in a real context. Ex-Spanish colony whose wealth is considerable, Western Sahara should, like many African countries, gain independence according to United Nations resolutions.

Sunny Beach at socialist Bulgaria, the summer of 1967. 19-year-old Bulgarian SNESCHA meets FRANZ, an 18-year-old Austrian lad. They dance and talk, he is speaking German and she – Bulgarian, and despite the language barrier, they fall in love. In 1975 they get married and leave for Austria. SNESCHA gets pregnant and gives birth to twin sisters. FRANZ embarks to an expedition in Iran and Pamir. SNESCHA gives birth to a third daughter. His next adventure is passing the river Niger to the city of Bamako in Mali. After that he goes back to Austria and buys a house on credit. In 1987 he decides to make a bicycle tour going through Tibet. Despite SNESCHA’S disagreeing, he sets for Pakistan and never comes back. SNESCHA has to take care of her daughters and pay for the house.

the Great Leader Comrade Kim Il Sung and how imperalism shouldnt exist

About five years after her film, Hana, dul, sed ... (2009), filmmaker Brigitte Weich returns to North Korea to ask four women on the national football team how their lives have evolved. In a friendly and congenial cooperation between the filmmaker and her protagonists, a work arises that not only tells about the concrete life of a professional athlete in North Korea, but also poses the question of the images that we all make of ourselves to give meaning to our lives and the world.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

A film about four young women in Pyongyang who share a passion for football. The documentary follows their journey from national team players to retirement, highlighting their friendship and the impact of football on their lives.

From 1950 to 1953, one hundred thousand children were orphaned by the Korean War. With no resources to mend the wounds, the two sides, North and South, took different paths to find homes and families for the war orphans. While the children of South Korea were sent to Europe and the United States through ‘International Adoption’, the children of North Korea were distributed across Eastern Europe through a method called ‘Commissioned Education’. As a result, more than five thousand children from the North had to spend nearly a decade living in foreign lands across Eastern Europe. This story is a record of their lives, which used to be kept hidden from the rest of the world. There is a key to understanding how North Korea's closed political structure began and how the ‘Juche ideology’ was formed in this documentary movie. Understanding North Korea in the 1950s is an important way to understand North Korea at present.

Dennis Rodman is on a mission. After forging an unlikely friendship with North Korean leader Kim Jong-un, he wants to improve relations between North Korea and the US by staging a historic basketball game between the two countries. But the North Korean team isn't the only opposition he'll face... Condemned by the NBA and The Whitehouse, and hounded every step of the way by the press, can Dennis keep it together and make the game happen? Or will it go up in a mushroom cloud of smoke? For the first time, discover the true story of what happened when Dennis Rodman took a team of former-NBA players to North Korea and staged the most controversial game of basketball the world has never seen.

Director Juan José Arias uses old family videos to try to find out what kind of person his father was. His image comes back in dreams, his voice whispers in the smell of rain and his embrace lies in an old house in the country where they used to spent the holidays. Reality, memories and dreams blur together in a poetic way.