Kimjongilia

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human skeleton, feeding it, dressing and caressing it, taking it for walks in the dark cabaret of an intimate relationship beyond death. She confronts pain and fear rather than repressing them.

The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.

A documentary about film noir films made in Los Angeles.

A darkly comedic, personal testimony about birth control side effects and navigating the inadequacies of women’s healthcare.

Money & Life is an inspirational essay-style documentary that asks a provocative question: can we see the economic crisis not as a disaster, but as a tremendous opportunity? This cinematic odyssey connects the dots on our current economic pains and offers a new story of money based on an emerging paradigm of planetary well-being that understands all of life as profoundly interconnected.

Aztec romance and the dream of love. The anthropologist’s most human desire, the ultimate contact with the informant. The denial of intellectualism and the acceptance of the romantic heart, and a soul without innocence. Preserved by the Academy Film Archive in 2011.

An experimental film poem in celebration of life and visions. Techniques include live action, animation, montage and found images. Preserved by the Academy Film Archive in 2011.

A film poem using found film and stock footage altered by printing, home development and solarization. It is a film using visual relationships to invoke a feeling of flow and movement.

The panoramic shots are breathtaking: a majestic mountain landscape in winter, flat-roofed tin shacks cowering next to one other, women perched on steep slopes using primitive tools to break through pieces of rock. La Rinconada is situated over 5,000 meters high in the Peruvian Andes, on the edge of a gold mine. This 21st century El Dorado is an inhospitable place, where untold numbers of people live and work in the most precarious of conditions, hoping both for gold and a better life. Salomé Lamas has constructed a cinematic diptych to convey the extremity of this situation and the dimensions of its misery without having to resort to graphic images.

The North of Cauca is the region of Colombia most affected by the internal armed conflict since 1940. There is an orchestra of ancestral music composed of young indigenous people of the Nasa ethnic group who, with their instruments, their voice and their poetry, remember Maryi Vanessa Coicue, Sebastian Ul and Ingrid Guejia, three of the hundreds of indigenous children who have died because of this eternal and useless war between leftist guerrillas, armed groups of the extreme right, drug traffickers and the Colombian State.

Amber Lawrence is a country music singer who spent her childhood not on the stage but at the running track. And one thing running taught her, is practice makes perfect.

In 1972, Djibril Diop Mambety shoots "Touki Bouki." Mory and Anta are in love. Two young lovers share the same dream: to leave Dakar for Paris. At the fateful moment, Anta embarks. Mory stays alone on quay, unable to tear himself away from his land. Forty years later, "A Thousand Suns" investigates the personal and universal inheritance which represents "Touki Bouki." What has happened since? Magaye Niang, the hero of the movie, has never left Dakar. And today, the old cowboy wonders where Anta is, the love of his youth. Stories about family, exile and cinema meet between the sphere of intimacy and that of myth.

Why do you have to do what everyone else does and why does everyone have to look the same? Ninnoc struggles when she is in a group. She doesn't just want to adapt to the others, but she's also afraid of being excluded. Can you deviate in a group? Or will you then end up alone?

Joep (18), Anouska (23) and Ciska (21) go on a guided youth trip to the sunny party town Blanes. They have a mild intellectual disability and find it exciting to go on holiday for the first time without parents. But once they arrive in Spain, they experience a freedom that they don't have at home.

A look at the aftermath of the Sandy Hook massacre where 20 children were murdered at school by a crazed gunman, but lead to no changes in American gun laws.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Wege Gottes

Ukraine's topless feminist sensation Femen has created a media frenzy across Europe, but before they take the world by storm, these bold and beautiful women must confront the dark and perverse forces that power their organisation.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.