Choukath (চৌকাঠ)

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Una nascita simulata

Experimental college short film. Two servants plan and execute the coronation of a delicate and machiavellian entity until sunset.

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

shot in melbourne, may 2024

Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.

A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.

A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.

This non-narrative short film examines one of the great American icons: the Louisville Slugger baseball bat. The film was conceived by its co-directors, Marlon Johnson and Dennis Scholl, along with the Louisville Orchestra's conductor, Teddy Abrams, to be screened set to a live performance by the orchestra of Claude Debussy's "Jeux".

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

"Des-authorized" is the combination of three stories, three realities that coexist and feed. The journey begins in the imagination of Elia K, the principal, who imagines Elijah, a character who is a poor playwright facing the crossroads to be true to his art, or succumb to the pressures of the producers must decide his work between surrender or pay the price of his freedom. On another level, we have Nina and Frederick, the protagonists of the work that Elijah is writing. They only seek to love, they are forced to leave the paper and press the Elijah to them the end that his story deserves, this is the starting point of "Des-authorized" a film set in an imaginary city , colorful and delusional. In the line of "Amelie" and "Stranger Than Fiction", brings a reflection on art, creativity, love and heartbreak.

Fantaisie érotique

Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)

AGAINST FILIAL PIETY ponders one of the oldest Chinese beliefs; the gravest offense of filial piety is not to have offspring to carry on the family name and blood. The film also relates to feelings of failure in not being able to fulfill the filial responsibility. This five minute, single framed, 16mm experimental film includes the word “barren” from 34 different written languages, which were extracted from dictionaries. The individual word or symbol disintegrates as it being enlarged to resemble landscapes or graphic shapes. The colorful technical drawing s of human anatomy and the cycle of childbirth are combined and contrasted against the monotone enlargement of Xerox copies of the word “barren” which breaks up and converges through out the progression of film.

Experimental film from the almanac of classical music for children "Children's Album". It is dedicated to the constructivist period of Alexander Mosolov, as well as architecture and cinema of this direction and consists of three parts, with conditional names: 1. "Shadows", 2. "Movement", 3. "Volume". The structure of the film is visually and rhythmically close to constructivism.

A musical animated film which celebrates the simple and childish joy of hitting drums, scribbling on paper using marker pens, splashing paint or making cracked cymbals screech.

Fraktura

Wools

Leaders