A Brief History of Slasher Films

Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.

Documentary about Barrandov studios.

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

A look at the making of the film Troll 2 (1990) and its journey from being crowned the "worst film of all time" to a cherished cult classic.

A new light on American filmmaker Steven Spielberg, Hollywood’s greatest director, offering a unique perspective on his work and digging into his personal influences.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

A documentary about film producer Hal Roach.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.

Federico Fellini died on October 31st, 1993. Thirty years later, he is still considered as one of the most irreverant moviemaker in the history of cinema. Through a long-previously-unseen interview, directed by Jean-Christophe Rosé in 1981, through extracts of his films and through behind-the-scenes, this documentary draws an intimate portrait of Fellini by himself.

Documentary illustrating the birth of sound cinema.

The history of Frankenstein's journey from novel to stage to screen to icon.

The glorious and tragic story of American athlete and actor Johnny Weissmuller (1904-84), Olympic swimmer, water polo player and the only true Tarzan, an archetypal character and myth of cinema, that of the original Hollywood blockbusters (1932-48).

Fifty years after its release, the special effects makeup team behind Planet of the Apes reflect on making the iconic film.

She worked with the world’s greatest actors and directors: Buñuel, Mastroianni, Lellouche, Depardieu... The film guides us throughout her career with the filmmakers with whom she invented herself not to be a “cold blonde actress”, thanks to great interviews of many artists who crossed her path.

He is the most sought-after man in Europe in the 1960s. Lex Barker embodies the flawless hero in his films and, as Old Shatterhand, becomes a role model for generations of fans. Revered in Europe, misunderstood and almost forgotten in his native America. But who was this American who rode through Yugoslavia in a leather costume for the European audience? In 1973, Lex Barker died of a heart attack on the streets of Manhattan in New York. But no one recognizes the man who was Tarzan in Hollywood. Nobody knows him or cares about that he, as Winnetou's friend, is revered as an icon in Europe. Lex Barker's European western adventures are just a footnote in American film history. On the occasion of the 50th anniversary of his death, the documentary tells the story of one of the most beautiful men who ever flickered across Europe's cinema screens, for whom European cinema proved to be a stroke of luck and for whom a failed Hollywood career took him via Italy to Germany.

A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.