Ferrum

Wildlife Documentary

A film about sustainability focusing on the outdoor industry.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

Le secret des Dunes

“Let nature be nature” is the philosophy of the Bavarian Forest National Park. Despite massive resistance, this vision has become a groundbreaking showcase project. Because humans do not interfere with nature, the former commercial forests grow into a primeval forest, a unique ecosystem and a refuge for biodiversity. People from all over the world come here. They are looking for answers to the question of why we need more wild nature and what we can learn from it to preserve forests for future generations in times of climate change.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.

In this feature documentary, filmmaker Paul Cowan offers an innovative, moving account of the Westray coal mine disaster that killed 26 men in Nova Scotia on May 9, 1992. The film focuses on the lives of three widows and three miners lucky enough not to be underground that day when the methane and coal dust ignited. But their lives were torn apart by the events. Meet some of the working men, who felt they had no option but to stay on at Westray. And wives, who heard the rumours, saw their men sometimes bloodied from accidents and stood by them, hoping it would all turn out all right. This is a film about working people everywhere whose lives are often entrusted to companies that violate the most fundamental rules of safety and decency in the name of profit.

A new uranium mill -- the first in the U.S. in 30 years -- would re-connect the economically devastated rural mining community of Naturita, Colorado, to its proud history supplying the material for the first atomic bomb. Some view it as a greener energy source freeing America from its dependence on foreign oil, while others worry about the severe health and environmental consequences of the last uranium boom.

Six million tons, suspended by the slightest gesture. Mother of the World presents a series of brief vignettes of Cairo just prior to the 2011 Egyptian Revolution. These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.

GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street. Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”). Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival, NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin

A documentary about the sea and memory. Its movement is its form. Its strength.

Singapore’s coastlines are always in flux - a delicate dance between the receding tides and the rising earthmovers. 'seaward' drifts through the peripheries of this very landscape, offering a quiet meditation on the life that endures at the edges of a changing island.

A sock puppet explores a family history told from the perspective of a mother and father.

Over the past year, three young scientists have found unusual colored frogs in the wild in Latvia that are not typical for our region. A green frog with unusual orange and black coloring—seen for the first time—as well as a strange red frog. Scientists are trying to determine the cause – whether these are "natural errors" in a few specimens, or whether the entire frog population is affected – with environmental pollution being cited as one of the reasons. In a parallel story the scientists are conducting research on the restored tree frog population, observing the results of a project implemented in the 1990s – at that time, the extinct tree frog species was successfully restored and is once again found on the Kurzeme coast.

The Guelph Outdoor School challenges modern education by providing children the freedom to connect with the natural world and themselves.

Anti Pollution Pirates follows a small crew who hike into a remote Highland beach to clear some of the the huge volume of waste washed ashore. What begins as a simple clean becomes a reminder of connection, shared purpose and the power of small actions. Between gathering debris, cooking over a fire and swimming in cold water, the team find hope alongside the sadness. The film shows that environmental care can be joyful, creative and rooted in showing up.

In 7 episodes, a subject traverses through various phases of existence. He fully explores different facets of the human condition— a calm birth, a stifled growth, an outrage against injustice, a cumulation of scars, and the return to innocence.

Join the working men of a northern powerhouse: on the job in Gateshead workshops and at the long wall of a Northumberland pit.

It's 1948 and hydro-electric power is transforming Scotland's Grampians.

An immersive dive into the heart of the discomfort felt by anyone struggling to sleep.