A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.
Film about the Bahian singer dives into the moment when shy Gracinha becomes Gal Costa, during the violent, innovative and mind-blowing years that helped shape Brazil's greatest singer.
Yuri, Lili and Matt get ready for a very special day. But their dreams go down the drain when they discover that the parents have changed their plans and are now going to the same summer camp together, with several children they have seen.
Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?
Madonna celebrates her four-decade career in a special concert for over 1.6 million people at the Copacabana Beach in Rio de Janeiro.
In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.
Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
The story of Francisco, a very simple and poor man whose dream was to see his children become country music stars, and who made all the efforts to make it happen.
For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.
Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.
In less than ten months, the music band Mamonas Assassinas went from being completely unknown to becoming one of the biggest phenomena in Brazilian music. Irreverent, intelligent, sarcastic and creative, the band took over Brazil and sold two million albums in just six months. Never-before-seen footage and interviews from family, friends, producers, and musicians tell the band’s story, their challenges, their rise to fame, and the tragic aeroplane accident that killed all its members in 1996.
As the world boiled in the rush of Easy Rider bikes, in the frenetic pace of Elvis Presley, in Beatniks poets, in the explosion of counterculture, a boy from Bahia gave birth to Rock in Brazil. A runaway flying saucer that abducted the hearts and minds of thousands of fans, Raul Seixas, a man who became a myth. Raul died young because he lived intensely. Rock n 'roll, free love, alternative society, drugs, black magic, military dictatorship, women and daughters. A man who wanted to live from his work and died for it. The beginning, the end and the middle are confused, because the story is not over. The film reveals through rare images of archive, meeting with relatives, conversations with artists, producers and friends, the trajectory of the legend of Rock.
The life of Renato Russo, from his first involvement with music, to his years in the punk rock band Aborto Alétrico, to the formation of Legião Urbana, in the Brasília rock scene of 1970s and 1980s.
Brazilian singer Rita Lee narrates moments about her life, from her childhood to the meeting with Roberto de Carvalho. The documentary is permeated with excerpts from the singer's concerts, with songs sung entirely.
After failing to be admitted into the OSESP Orchestra, a talented violinist is forced to give music classes to teenagers in a public school. He soon finds his world transformed by the power of music and friendships formed with his pupils.
Tete Barilove is dead, but her body is nowhere to be found. Beni, a longtime fan, finds clues that could lead her to the truth about Brazil's most famous 90s singer.
Born in Arcoverde, in the backlands of Pernambuco, the lonely boy who was raised by his father after his mother left, João Silva soon discovered a passion for the northeastern rhythms, such as the baião, xote and forró. He went to Rio de Janeiro when he was still a little boy to meet the idol Luiz Gonzaga. Both men, who were not very fond of each other when they first met, became not only great friends but also partners in many hits like “Doutor do Baião”, “Nem se Despediu de Mim” and “Pagode Russo”.
The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.
Rita Lee - Biograffiti: Baila Comigo
To the sound of Politicar (Tom Zé) we follow human beings altered by their environment, becoming something new. Through this aesthetic, the short seeks to explore man's stance in relation to his environment and the idiosyncrasies, hypocrisies and positions that come with this interaction.