Gal Costa: Recanto – Ao Vivo

Shot in 1971 during Gal Costa's famous concert "Gal Fa-tal" in Rio de Janeiro's Sucata Nightclub, Ivan Cardoso's eponymous Super-8 short film shows the singer both in and off stage, interlapsed with scenes from Cardoso's "Nosferato no Brasil".

Simone - Em Boa Companhia

Amid an identity crisis, Fábio, 22 years old, a young black man from Cidade Tiradentes, reconnects with his past through a funk party with friends. On their way to the Fluxo, as these parties are called, he faces internal and external challenges that make him confront his feelings after his recent breakup. The film investigates the experiences of young people who live in the extreme east of São Paulo, the biggest city in Brazil and considered one of the main pillars of funk history.

Ladeiras da Memória – Paisagens do Clube da Esquina

Comitiva Esperança

Zeca prepares the pasta while Ana smokes a cigarette. As they sit down to eat, Zeca asks: What are the best songs to listen to while cooking... or eating? Meanwhile, Ana just wants some peace and quiet so she can eat.

It explores Rita Lee's personal life and her creative process, revealing her musical talent and her ability to transform on stage. Rita herself guides the narrative through past interviews she gave throughout her career and current testimonies.

Crianças Diante do Trono 6 - Samuel, O Menino Que Ouviu Deus

A sound and visual journey that portrays the life and work of singer and composer Luiz Melodia. The Poet of Estácio himself tells us, in the first person, his trajectory as a black boy born on the hill until his transformation into one of the greatest artists in the history of MPB. The film also features an unpublished collection made available by Jane Reis, his wife and businesswoman.

Tribalistas were a short-lived but popular brazilian musical trio consisting of Marisa Monte, Arnaldo Antunes and Carlinhos Brown. Their one-off collaboration resulted in the popular album Tribalistas, released in Brazil in late 2002 by EMI and in international territories in 2003. The album attained considerable popularity despite the group never performing any song on TV or giving any radio interviews. A DVD release featuring the 'making of' and all the tracks on the album was also released internationally. The song "Já Sei Namorar" was featured on the video game FIFA Football 2004 and the song "Velha Infancia" was used in a soap opera in Brazil called "Mulheres Apaixonadas" as its main theme.

72 Horas

Welcome to the neon studio of Carolina Pereira. Bem-vindo ao estúdio neon da Carolina Pereira.

Ed Motta em DVD

Kevin Laird is a Beverly Hills school teacher by day and a mystery man by night. Using his lambada dance moves to first earn the kid's respect and acceptance, Kevin then teaches them academics. But when a jealous student exposes Kevin's double life, his two worlds collide, threatening his job and reputation.

Alceu Valença - Marco Zero Ao Vivo

Fagner - Amigos e Canções

O Grande Encontro 3

Between bars and shows, Dodô Pankada divides his time between his work as a barber and the stages of São Paulo's independent music scene, where he sings forró and other genres that are part of his Northeastern roots. Alongside him is Ericoness, a curious and eccentric outsider, who enters Dodô's world with the goal of documenting his routine and trying to understand what makes him continue pursuing his dream.

Between the Asphalt and the Cloud. Rappers face the challenge of staying true to their roots while trying to stand out in the digital universe. The internet promises freedom, but hides traps for those who dream of living off rhythm and rhyme. A raw portrait of the struggle between tradition and technology in the peripheral hip-hop scene.

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.