Gal Costa: Recanto – Ao Vivo

Benedito wakes up for another day of work as a motorcycle courier. Cradled by Raidol's Mandinga and guided by his Orishas, he receives mysterious deliveries to leave them at a final destination but the paths that open up go far beyond his everyday reality.

Documentary about Brazilian music circa 1969, with extremely rare scenes, such as the only color footage of Pixinguinha, images of João da Baiana, one of the fathers of Samba, Maria Bethânia rehearsing at Barroco nightclub, Baden Powell playing his acoustic guitar, Paulinho da Viola showing his masterpiece "Coisas do Mundo, Minha Nega", that he had just finished, and Márcia, a singer from São Paulo.

Mart'nália - Em Samba! Ao Vivo

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

Maria Bethânia e Zeca Pagodinho: De Santo Amaro a Xerém

Gal Costa: A Pele do Futuro – Ao Vivo

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.

Jerry is a tutor at an orphanage. On the first day of vacation, the boys go to the beach with Professor Teobaldo and find a skeleton and a treasure map. Word spreads and a rush for gold begins. On the one hand, Jerry and Neyde, television colleagues; on the other, the director of the station, Indalécio, and his lover Aphrodite; finally, the evil Rock Trombada, in the company of scientist Bertini and Daniel. On Treasure Island, the three camps promote mutual sabotage. After many confusions, Trombada flees with the treasure to the ship's cemetery but they are surrounded by the boys and Indalécio. It's the final war. But it is Jerry who will take the wealth in order to improve the situation at the orphanage.

New work by singer Samuel Mariano, recorded live at the PE 60 Convention Center - Cabo de Santo Agostinho - PE.

Toquinho - 50 Anos de Carreira

Aqui Favela, o Rap Representa

The life of Renato Russo, from his first involvement with music, to his years in the punk rock band Aborto Alétrico, to the formation of Legião Urbana, in the Brasília rock scene of 1970s and 1980s.

Fernanda Takai: Na Medida do Impossível - Ao Vivo no Inhotim

Raiz e Alma

An irresistible journey through the universe of the singer and composer that revolutionized the song in Brazil and influenced generations of musicians, paving the way for movements such as Bossa Nova and Tropicália.

The personal trajectory and the international career of the singer, guitarist, and composer Badi Assad.

Maria Bethânia: Dentro do Mar Tem Rio

Tim Maia - Programa Ensaio

Maria Bethânia: Tempo Tempo Tempo Tempo