Inceste, le combat d'une vie
Tahirih Qurrat al-Ayn was first Iranian women right activist, Bab-i fighter ,theologian,poet. Tahirih was a woman of letters who lived in the nineteenth-century. Her name is synonymous with the emancipation of women and social justice and her life has inspired generations of women ever since, particularly Iranian women’s right movements.Since 1979, the Islamic Republic of Iran forbids any literature or discourse that portrays Tahirih in a positive light. Her name has been removed from the latest editions of history books published in Iran.
Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.
A portrait of American actress Uma Thurman, muse of legendary filmmaker Quentin Tarantino and courageous voice for the many victims of despotic producer Harvey Weinstein.
Come to Las Vegas, Baby
Le rêve du commendatore
Composed of songs and memories, this powerful musical film traces the traumatic experience of young survivors from different parts of Africa. In the village of Conques in France, they found a therapeutic space where they learn to overcome their past and, through song, to imagine a new future.
Documentary about basketball player Pete Maravich. The legend of "Pistol Pete" Maravich was born on the playgrounds of his youth, extending to the campus of Louisiana State University and culminating in a 10-year NBA career during which he was named one of the League's 50 greatest players of all time.
Superbeben
Todd Who? is a passionate, quirky 'rockumentary' that chronicles a fan’s 30 year obsession with criminally underrated rock musician Todd Rundgren.
The gritty world of New York City street booksellers is exposed in a remarkable story that chronicles their lives and loves and their unique perspectives on life. Made on location at the sidewalk book tables of New York by a fellow street bookseller, 'BookWars' explores the other side of the book tables along the streets of the Village, on the Lower East Side, along 6th avenue, and elsewhere in New York City. See the Mayor, the University and the NYPD try to shut them down!
1924, produced by Frederick Burlingham.
The Center for Ecoliteracy advances school meal innovation and is pleased to introduce its California Food for California Kids initiative. Using the acclaimed Rethinking School Lunch planning framework and Cooking with California Food in K-12 Schools cookbook and professional development resource, the Center convenes food service directors from across California to support and inspire their work providing more fresh and freshly-prepared food for school children.
This documentary was produced by Citizen Film and Young Community Developers, in collaboration with a coalition of organizations, enterprises, city agencies, and community partners. To create the documentary, Citizen Film’s Tamara Walker facilitated and captured constructive dialogue between African American officers and the communities they police, helping officers understand how they are perceived by the community, and how the community is perceived by them.
CMC’s visionary leaders and artists to celebrate one of San Francisco’s most-revered and longest-running community arts programs.
The mission of Community Music Center is to make high quality music accessible to all people, regardless of financial status.
Based in the Western Addition neighborhood in San Francisco, CommunityGrows teaches cooking and gardening in local elementary schools and after school programs, and provides job skills to more than 1,300 low-income youth.
A journey through the evolution of aviation, from the earliest aircraft designs to modern jet airplanes. The documentary explores how World War II accelerated technological advancements that transformed the course of aviation history.
Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.