Cena Viva: Trajetórias e Transformações

Asdrúbal Trouxe o Trombone

"ÉVORA" follows the story of António Évora, an actor retired due to a health condition. The longing and permanent absence from the stage brings with it a reflection on the times when he was young, the joy of applause and what is to come.

On a boring Sunday, Rebeca is taken by chance to a distant relative she has not seen for a long time. Curious about her uncle's life, her search opens the curtains into a previously unexplored but strangely familiar theatrical universe.

Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.

Piracema - uma carta de amor ao teatro

Tangos e Tragédias Para Sempre

In her new comedy special, Malena Pichot stars as Eleonore von Schwarzenberg, an European vampire princess sent to live in a seedy Buenos Aires apartment.

La favola mia

Peppino Girella

L'Audizione

Elza

Tight

Febre

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transvestites", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for transvestites who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transvestites are welcomed by Brenda, who teaches them to want more out of life.

Déjalo Salir

During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.

Corpo de Cena

Edipo Re

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

A Santa Joana dos Matadouros