The Rubber Tappers

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare form the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

Racketeer Gillin is paroled from prison and immediately goes to work trying to make an illegal buck from America's war effort. With rationing in effect the black market tire business is booming. Gillen's mob sets up car lots around town where they peddle stolen tires and "new" tires milled in the gangster's factories from cheap faulty materials. People begin to die in crashes as the defective tires fail. Bill Barry leads his fellow defense plant workers on a crusade to uncover the source of the black market rubber and bring the guilty to justice. Although clearly intended to warn the public about black market tire smuggling, Rubber Racketeers holds it own as a saga of mobsters versus an irate public.

Dennis, owner of a rubber plantation in Cochinchina, is involved with Vantine, who left Saigon to evade the police. When his new surveyor arrives along with his refined wife Dennis is quickly infatuated by her.

Fitzcarraldo is a dreamer who plans to build an opera house in Iquitos, in the Peruvian Amazon, so, in order to finance his project, he embarks on an epic adventure to collect rubber, a very profitable product, in a remote and unexplored region of the rainforest.

In the south of Yunnan, there are mountains, rivers, ancient trees, and tea gardens. The simple beliefs of the local Bulang people are the basis for maintaining their homeland and the manifestation of their strength. A film based on the spiritual connotation of the Bulang people's reverence and protection of nature in the Bulang mountain village of Xishuangbanna, Yunnan.

Els dies que no oblidarem

Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after. Sometimes, she dreams of her dead mother calling her home – to the cave.

Nohemí and Mary are two women resisting structural violence in Ciudad Juárez. United by pain and hope, both mothers find inspiration to move their families forward. The dragonfly, a symbol they share, embodies their resilience and capacity for change.

Apes

Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.

First film by Pim de la Parra, about a young Surinamese man in Amsterdam who delivers a “monologue interior” about his dissatisfaction with society and his position as an outsider.

Unustatud rahvad (1970 - 1989) by Estonian composer Veljo Tormas is based upon six Balto-Finnic peoples traditions. Collegium Musicale choir brought the songs to different sides of Baltic coasts to liven current citizens connections for fleeting past and strengthen their identity.

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

Pliofilm plastic (rubber hydrochloride) and applications in raingear, food packaging, a transparent dress. Also, hybrid giant vegetables; plastic contact lenses; the nature and prevention of dust explosions.

Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...

After the explosive demise of their last subject, scientists must look for a replacement on whom to continue their bizarre experiments with brain-altering drugs.

In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.

A documentary about Croatian immigrants' soccer clubs, especially the Croatia Toronto soccer club, and their significance to the Croatian diaspora as well as Croatia itself.