The Rubber Tappers

Racketeer Gillin is paroled from prison and immediately goes to work trying to make an illegal buck from America's war effort. With rationing in effect the black market tire business is booming. Gillen's mob sets up car lots around town where they peddle stolen tires and "new" tires milled in the gangster's factories from cheap faulty materials. People begin to die in crashes as the defective tires fail. Bill Barry leads his fellow defense plant workers on a crusade to uncover the source of the black market rubber and bring the guilty to justice. Although clearly intended to warn the public about black market tire smuggling, Rubber Racketeers holds it own as a saga of mobsters versus an irate public.

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare form the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

In the south of Yunnan, there are mountains, rivers, ancient trees, and tea gardens. The simple beliefs of the local Bulang people are the basis for maintaining their homeland and the manifestation of their strength. A film based on the spiritual connotation of the Bulang people's reverence and protection of nature in the Bulang mountain village of Xishuangbanna, Yunnan.

Fitzcarraldo is a dreamer who plans to build an opera house in Iquitos, in the Peruvian Amazon, so, in order to finance his project, he embarks on an epic adventure to collect rubber, a very profitable product, in a remote and unexplored region of the rainforest.

Els dies que no oblidarem

Dennis, owner of a rubber plantation in Cochinchina, is involved with Vantine, who left Saigon to evade the police. When his new surveyor arrives along with his refined wife Dennis is quickly infatuated by her.

Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after. Sometimes, she dreams of her dead mother calling her home – to the cave.

Nohemí and Mary are two women resisting structural violence in Ciudad Juárez. United by pain and hope, both mothers find inspiration to move their families forward. The dragonfly, a symbol they share, embodies their resilience and capacity for change.

Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.

Trapped in an ancient village on China’s southwest border, a traveler’s bewilderment triggers a surreal exploration into the nature of existence and the future.

Pliofilm plastic (rubber hydrochloride) and applications in raingear, food packaging, a transparent dress. Also, hybrid giant vegetables; plastic contact lenses; the nature and prevention of dust explosions.

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

Soon after the Japanese attack on Pearl Harbor, cynical former newspaper correspondent John Royer devises a scheme with his old editor and government agents to return to the Far East and smuggle out a vast amount of rubber for the war effort. Demanding the freedom and company of his ex-friend, Carnahan, whom he betrayed in an exposé years earlier, Royer sails off into the hands of the Japanese with a motley crew, gold, and the promise of covert government aid.

In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.

A documentary that explores the reality of the LGBTQIA+ community through the perspective of those who, excluded from their families of origin, have built new bonds and forms of belonging. At the center of the film is the House of Windowsen, an emerging presence in the Italian ballroom scene, made up of Gian, the overall father, Morgan Sasha, and Concetta. Following their lives between Milan, Rome, and Naples, the film weaves together personal experiences and shared journeys, offering a direct portrait of ballroom culture and the dynamics of a chosen family that is atypical and non-nuclear. It is a narrative that highlights identities, relationships, and the need to create a space in which to exist.

During the Cultural Revolution in China in the late 20th century, ethnic Manchu people were persecuted and forced to give up such cultural traditions as the shaman dance (tiao tchin, meaning "spirit-jumping" or "god's dance"). However, on Changbai Mountain in Northeast China, a farmer named Guan Yunde decided to start designing and building traditional Manchu shaman drums. At age 70, he is one of a minority of ethnic Manchu people in China's Jilin province, and one of the few people keeping the Manchu shamanic tradition alive.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

The thousand-year-old tradition of pottery in the Indian subcontinent is now under threat. With the market being flooded with plastic in the evolution of civilization, today this Pal community is becoming displaced.

Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...