Megalopolis I

It’s the 2014 midterms and residents of a South Florida retirement community feel the weight of democracy on their shoulders. In one of the most influential counties of America’s largest swing state, these political kingmakers trade their golf clubs for clipboards and hit the pavement to get out the vote. A GREATER SOCIETY is a feature documentary to inspire voter turnout. Inside the gates of Wynmoor Village are three miles of manicured lawns lined with palm trees, a golf course, and carefully maintained condominiums. At first glance, it’s just another retirement community where elders go to enjoy their golden years relaxing by the pool and taking ceramics classes; but look further and you’ll see that the people who live in this community share something unique: the power to have a real impact on national politics.

A documentary about three men in the criminal environment of Amsterdam as they deal with unemployment, probation, and divorce.

1964-1968 Trams in Amsterdam, Rotterdam en Den Haag

21st century legal prostitution through the frank stories of Amsterdam red-light district sex workers at a time when tighter regulation threatens their livelihood.

Bas Jan Ader rides his bike into a canal in Amsterdam.

In 2023, there were an estimated 30.6 thousand homeless people. This number continues to rise at an alarming rate. One of them is the headstrong Ruurdt. He has difficulty getting help and cannot adapt well to our society. He is now also in danger of losing the houseboat that was assigned to him. 'Ruurdt' is an intimate portrait of a man on the fringes of our society.

A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.

She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after. Sometimes, she dreams of her dead mother calling her home – to the cave.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.

Pak Mokum Terug is the name of a group of Amsterdam activists that refuse to accept that the basic right to housing no longer appears to apply. The group’s name means “Take Back Amsterdam,” Mokum being the traditional nickname for a capital city in which today, for more and more people, a home is becoming unaffordable. Against this background, Hotel Mokum reports on the squatting of a dilapidated hotel in the city center, narrated in the voice of a fictitious activist.

Amsterdam's world-famous red-light district is the fascinating backdrop to the story of plucky prostitute Lina as she searches for Mr Right. Lina thinks she has found true love with American punter Sean, but she may be treading a fine line between fantasy and reality. Could Sean be her Prince Charming or will she end up heartbroken? With hard-won access to this notoriously secretive, hidden world, Sexwork, Love & Mr Right will be a revealing and thought-provoking documentary with multiple supporting narratives from experienced punters to wise madams. As streetwise sexworker Lina navigates the highs and lows of her precarious new relationship, the film asks can sexworkers ever really find true love?

The working-class Tuindorp Nieuwendam neighborhood in Amsterdam-Noord is like a village within the city. Many natives of the Northern Netherlands still live in the characteristically built houses, a unique variation on the Amsterdam School. With humor and Amsterdam directness, they share their stories about what's happening in their lives and in the neighborhood. Recently, a new generation of residents has also discovered the Noord district. How do residents view these changes and the neighborhood's transformation? Was everything better in the past, or are new connections emerging between residents, old and new?

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

Eighteen-year-old Sofie is looking for a room in Amsterdam. So she has to interview for them. Time and again she has to convince the residents of student houses that she is the most suitable candidate for the vacant room. The competition is fierce, the residents are ruthless. Who is accepted by the group, who is rejected? How far will the candidates go? And what does that process of judging and being judged do to Sofie?

The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

The A’dammer - The Man Behind the Cabinet follows the life of designer Aldo van den Nieuwelaar. He designed the iconic A’dammer cabinet, an international design icon, with over seventy versions sold worldwide. Museums acquired his work, and he became a promising name in the design world. But Aldo was more of an artist than an entrepreneur, and his perfectionism clashed with commercial interests. His tense relationship with director Harm Scheltens of furniture manufacturer Pastoe, in particular, escalated into a years-long legal battle over money, recognition, and control.

Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...