Splatterfest Exhumed

Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.

A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.

A documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.

She is the grande dame of German and international cinema, always a bit of a rocker chick, freedom-loving, adventurous and willing to take risks. This portrait unfolds Iris Berben's career, which has spanned more than five decades - between the art of film and television, between rock 'n' roll and political commitment.

Cine Dunas

Gouranga, a young man in 1960s rural Bengal, embarks on a journey where he encounters not only the local myths about a supernatural presence, but also his own demons which were buried in his past. The film was in the list of TOP 10 Recommended Movies of NFDC Film Bazaar 2023. It also won the Film Bazaar Recommends Award in the Viewing Room Category.

MAURICE reveals the famous #9 of the Montreal Canadiens like never before. Through never-before-seen archival footage shot over 35 years, this documentary offers exclusive access to the man behind the Rocket myth. Designed by Serge Giguère and Robert Tremblay, who died before completing this project, MAURICE paints an intimate and authentic portrait of Maurice Richard, well beyond his exploits on the ice rink. More than a hockey player, he embodies the perseverance and hope of a people, forever marking Quebec culture.

"Public Domain" is a short film we shot in honor of those who support us with daily entertainment throughout this apocalypse. It's a love letter to cinema and a call to arms. Don't let the medium die.

The love of Kim Jong Il, the former dictator of North Korea, for cinema and his adventures, including the kidnapping of a director.

Habito tells the story of a poor, fat black man in pursuit of his dream of being a filmmaker, facing academic and personal challenges after his mother is diagnosed with breast cancer. A narrative that intertwines life, family and cinema, exploring the roots of Alagoas and Bahia.

Furias

"MVCK BATH" Liam Hartelli's first original short film. A Visually stunning and grotesque ballad of the gastric underworld.2wZ

A film crew crisscrosses England trying to unravel the mystery surrounding a record released 30 years earlier, 'Spirit of Eden', that defined the passage from light to shadow of its makers, the band Talk Talk and its lead singer Mark Hollis. From overwhelming obstacles to unpredictable encounters, their journey soon turns into an organic quest. With silence as a horizon line. And punk as a philosophy, thinking that music is accessible to all and that the human spirit is above the technique.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

A intimate reflection at the making of and cultural phenomenon of one of the most popular and profitable horror films ever made, The Exorcist (1973).

Pete, a janitor at Super Fun Cinemas, clocks into work and begins his usual routine, but is rudely interrupted by the invasion of an otherworldly threat taking control of the theater. For the first time in a long time, today is quite different from yesterday.

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”