Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
The conclusion to the ‘In Search of Darkness’ trilogy. In this epic final chapter, our focus turns to the straight-to-video horror classics that populated the bottom shelves at the video rental store. Imaginative, gory, experimental—but always entertaining—these hidden gems are ripe for rediscovery.
A Love Letter / Feature Length Documentary about the impact that VHS had and still has in the hearts of fans around the world.
A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.
A detailed look at the history of horror anthology films.
In 1970, Mikey and William both portrayed football cannibal Smash-Mouth in the influential cult hit, End Zone 2. Now, 50 years later, only one can wear the mask.
SOMETHING WICKED THIS WAY COMES is a project that examines horror culture and filmmaking in the New England area. Through the stories of industry professionals, filmmakers, and actors, it explores the historical and contemporary significance of the area's impact on the horror genre, as well as the decision to pursue a project locally.
Robert A. Burns, art director on the original Texas Chain Saw Massacre, was obsessed with actor Rondo Hatton aka the Creeper. Burns was average looking but brimming with odd creativity. Hatton, who suffered from acromegaly, had a strangely unique appearance, but was a regular guy. In Rondo and Bob their two stories intersect.
Documentary covering the production of David Gregory's PLAGUE TOWN.
Franco's death in 1975 opened the doors to the possibility of uncensored cinema. After two years in which censorship was relaxed, in 1977 it was completely abolished, and the “S” classification was created to protect viewers from those films that could “hurt their sensitivity.” The “S” classification was granted when the content was especially violent, sexual or political, creating a mixed bag in which all types of unclassifiable films could fit. In force from 1978 to 1983, this classification turned out to be a great commercial attraction for a society that had suffered four decades of national-Catholic dictatorship and repression.
Bravo network executive Andy Cohen discusses pop culture topics with celebrities and reality show personalities.
