Examining one of the most baffling unexplained deaths of recent years. In August 2010, Gareth Williams, a GCHQ employee on a 3-year secondment to MI6, was found dead inside a padlocked duffle bag in the bath of his London flat.
When Pak Tin Estate is going to be demolished, the residents will move to a new place, but how about the dead residents? Where could they go? Ho Ying-kuen who majors in Myth and Poetry, and Playwriting, leads us to a time and space of a demolishing public estate. We will come across the residents of the estate, a mother with her two sons selling incenses, and two monkeys having conversation about their mother. A mixture of fiction, experimental and documentary images, Lost Cemeteries studies about filial piety and death with a strange and interesting approach.
How do we live, knowing we are going to die? In search of answers, we probed the minds of atheists, Buddhists, Jews, Christians, physicians, philosophers, authors, academics, a legendary stand-up comic, and scores of random pedestrians.
In this documentary, we examined the life of a woman who works in a crematorium This woman has decided to devote her life to the delicate task of burying the dead, despite the taboo and stigma attached to her profession. Her experiences in a field dominated by men, the emotional cost of working with human remains, and their particular outlook on life and death are all revealed via their stories. Beyond the Flames provides these frequently ignored women a voice and highlights the significance of their contributions to our culture
This film explores the lives of those men and the memories of those left behind: the childhoods they shared and the choices they made. These men, now in their 60s, reflect on what has happened to their generation, why most of their friends and relatives died so young and how this particular apartment block captures the story of a whole generation. The voices and lives of the departed are included in clips from amateur videos from the 1990s. Set against the background of old friends’ attempt to understand their deaths, this film is about nostalgia and how memories kindle a special kind of love for home.
Swedish children's program about death by Margareta Strömstedt. The program tries to answer the questions many children think about - what happens when you die? Why do people and animals die? And why is death so difficult to understand?
Hollywood is a hot spot for celebrities, and tour guide Scott Michaels (E!'s "20 Most Horrifying Hollywood Murders," FindADeath.com) knows their, well, haunts. DEARLY DEPARTED is an all-access tour of the "backlots" of L.A. - locations where the most infamous murders, suicides and bizarre crimes involving A-listers have taken place. The Viper Room, the site where "The Black Dahlia" was discovered, and dozens more legendary spots are explored in this funny and equally shocking ride into L.A.'s seedy underground.
Varanasi is the Indian city where Hindus go to die. Stretching along the Ganges, Varanasi holds great spiritual significance because Hindu scriptutres say that anyone who dies there will attain moksha—liberation from the cycle of rebirth. Berlin-based director Dan Braga Ulvestad captures life and death in India’s heartland in this moving documentary filled with exquisite cinematic moments. By the River starts its narrative journey with the city’s “death hotels,” dedicated apartments where people wait to die, sometimes for decades, so they can be cremated on the banks of the Ganges.
A family in rural area of West Java, Indonesia enjoys their time with 'Ngadu Bagong', a sundanese traditional game where dogs put to fight against a wild boar in a single event. Ngadu Bagong has always been some sort of animal abuse but it's been in the tradition for a long time. Ade Rohmat has been in the game for a long time; a hobby that he now passes on to his daughter, Ilma Nurjanah. The potentially controversial Ngadu Bagong has always brought intense emotion, prestige, and fortune upon its practicioners.
Necromaquiagem
Educational film about the funeral process. Narrated by pastor Dr. S.A. Owen of Memphis, Tennessee.
Under Dorchester Square in Montreal lies the cemetery where 55,000 people were buried in the 19th century. The square is still at the heart of social conflicts in Quebec, 150 years later.
A small exploration in the cemetery from the township of Sainte-Colombe throught a focus into the light, graveyards, flaggings and funerary plaques.
A short film that navigates the filmmaker's intimate journey with death and other fears. Through the filmmaker’s inner monologue, the film explores the universal struggle with mortality.
Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.
Well-known Croatian author Pero Kvesić, who has been struggling with a severe lung disease, documents his death from his own point of view. Recording his everyday struggle, the picture resembles a peculiar blog filled with self-irony and witty comments about life and death. Although the world around continues to shrink, the hero and the director in one does not cease to fill it with sense.
You only die once. A film about the life of a corpse.
After I died from suicide, I was punished for this deadly sin, to live alone in the spirit world deep in the sea, but He gave me a chance to redeem my sin by shooting a film of a philanthropist's afterlife to ask and get the merits, I've been waiting for overly time to see a philanthropist's spirit.
In a delicate and humane manner, this film touches upon a very serious issue: how to stop fearing death while being in love with life. We talk (and laugh) about this subject with the protagonists of this film, modern geniuses and ordinary people from different parts of the world.
Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.