Filmmaking

Hrundi V. Bakshi, an accident-prone actor from India, is accidentally put on the guest list for an upcoming party at the home of a Hollywood film producer. Unfortunately, from the moment he arrives, one thing after another goes wrong with compounding effect.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

Max Boden, an ingenuitive desert naturalist, is trying to stop the construction of a copper mine on the outskirts of 1939 Tucson, Arizona. Through a series of arduously comical trials, Max learns to use a small motion picture camera to capture images of the unique local flora and fauna that would be destroyed by the mine.

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

Drafted to shoot a new film, Tadashi Kobayashi, a director with festival marketability, is strong-armed by the studio into hiring two famous actresses as leads. The cast of self-unaware weirdos that constitute the budding players become increasingly overwhelmed and emboldened until they stage their own micro-revolution.

A portrait of an independent filmmaker and the lengths he will go to fulfill his celluloid dream.

When a renowned film director, clashes with the young son of a house she's using as a filming location, a power struggle ensues, forcing the director to confront her own arrogance.

A discussion between John Cleese, Michael Palin, Eric Idle, Terry Gilliam and Terry Jones about their film The Meaning of Life.

The making of the latest masterpiece - Crest of Senses - by renown cult film director Jack Gattanella. It's getting weird, and only weirder still, as the weeks go on and Zack and Hayley hold on for dear life. Maybe the dolphins will help.

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

Filmmaker Kailee McGee’s world turns sideways with a late-stage breast cancer diagnosis. She’s in the middle of treatment but just beginning to reevaluate reality, love, and identity while being sick. Kailee loses track of where her cancer journey ends and her life begins. As the voice inside her head toggles between existential crisis and self-actualization, Kailee resorts to the only way she knows how to heal: figure out a way to watch a version of her journey unfold on a screen.

Tony has recently been released from a sentence for violent behaviour. He promises to improve his ways and is finally granted a few hours alone with his two children. They celebrate the reunion by going to the movies to see a new film by the famous, critically acclaimed Danish director Claus Volter. But the film is not the masterpiece it is said to be on the poster; the children are crying and Tony cannot get the money back he spent on tickets and candy. Tony does not give up; he seeks out Claus Volter in order to get an explanation and a refund. It is however easier said than done to get money out of a world-renowned filmmaker.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

After leaving his job and suing his boss for discrimination, a tired old man just wants revenge. He sets out to make a movie about his boss with the help of his only friends, a group of IDD artists and a young film student named Dexter.

A rock band, on the brink of success, arrives at a movie studio to produce their first music video. Somebody doesn't have much respect for their talent, and starts bumping off members of the band, their groupie girlfriends, and the crew.

Hollywood hopeful Peggy Pepper arrives at a major studio, from Georgia, to become a great dramatic star. Things don't go entirely according to plan.

Kirill, a 19 year old boy whose father works as a construction director, wants to study filmmaking.

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".

Four stories intersect in this violent film parody. Exterminators dress as hit men and try to protect the wife of their boss, Montello. Meanwhile, the strippers at Montello's strip club, dressed as nuns, attempt to rob him. Tag-team wrestlers steal Montello's briefcase, thinking its contents are valuable. Finally, Bumpkin, running to deliver a script, loses a lot of the pages.

Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.