In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Everything is arranged by Dick and his college chums to have their sweethearts from the city, with their chaperone, visit them to spend the day. At the eleventh hour the boys receive a telephone message from the girls informing them that their chaperone has disappointed them, and they will not be able to come. The boys are disconsolate. While they are deploring the matter, their tailor, the ninth part of a man, enters. Struck with a sudden idea, they seize him and compel him to impersonate Dick's godmother.
When Pat and Patachon arrive in the small fishing village at the North Sea they are completely unaware of the adventure that lies ahead. The two eccentric travelers quickly become good friends with old Maren and her son Tom, who will soon need their help in more than one respect. (stumfilm.dk)
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.
A group of girls in al all-girl college dormitory spend a wild night among thieves, cross-dressing boys and wild animals like a man-eating gorilla. Blue Ribbon comedy produced by Joe Rock, directed by Percy Pembroke, starring Alice Ardell and Gale Henry.
A boy uses a professor's liquid to make objects transparent.
A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.
A divorced couple try to pretend they are still happily married in order to get $100,000 from the woman's divorce-disapproving aunt.
The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.
When Gregoire and Lola go on a beach holiday to the idyllic Skagen, they don't know yet that the trip will be the end of their marriage. Gregoire may be wealthy, but he is many years older and several pounds heavier than his young wife, whose beauty makes all the male holiday guests turn their necks. Baron Plessen falls in love with Lola, and she quickly becomes fond of the idea of replacing her corpulent husband with a handsome nobleman. Together, they plan to push Gregoire out of the picture. The preserved material is a fragment.
Passing Through is a 1921 American silent comedy drama film, directed by William A. Seiter and written by Agnes Christine Johnston, and Joseph F. Poland.
The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.
The Outside Woman is a lost 1921 American comedy film directed by Sam Wood and written by Douglas Bronston.
A man fakes an engagement to a typist to please his rich aunt.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.
A silent amateur comedy about a Lebanese immigrant who returns home after trying his luck in the United States of America.