Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.
The documentary that tells us the full story from where it all started through to the future of the "Ghostbusters" franchise.
A husband sneezes inconsiderately all over the place, until his wife has had enough and leaves him.
A look behind the scenes of Robert Zemeckis' 1994 Oscar-winning film, 'Forrest Gump'.
A runaway train speeds down the track.
In Happy-Go-Luckies a pair of ukulele-strumming railroad hoboes fake their way into a dog show and make off with the prize loot. “Two heads are better than one” is the moral. To modern eyes, our trickster duo may look like two dogs—in the show they pretend to be one long dog—but audiences of the ’20s would have recognized a dog-and-cat team. The black body, white face, and sharp ears would have been most familiar from the greatest jazz-era trickster cat, Felix. Dogs and cats—much easier to animate than humans—were everywhere in silent cartoons. Terry, like most early film animators, had begun as a newspaper cartoonist, and his first strip, working with his brother as a teenager for the San Francisco Call, was about the adventures of a dog named Alonzo.
On the slope of Sengokuhara, a film crew is getting ready to shoot a major scene of a samurai movie.
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
In this biting satire of the film industry, an undiscovered actor will do anything to become the next 'Asian leading man' - other than go to therapy.
Documentary film about Argentinian filmmaker Fernando Birri. An interview: a journey through documentary filmmaking, his childhood, the dawning of New Latin American cinema...
Jorge Prelorán was one of the most prolific documentary filmmakers from Argentina. This documentary presents an interview which focuses on his creative work, and on how his ideas about documentaries are key in the uniqueness of his topics and characters.
A magical tale of friendship and loneliness, which tells the story of a little boy who one day finds a penguin on his doorstep. Although at first he is unsure what to do, the boy becomes determined to help the penguin find his way back home... even if that means rowing all the way to the South Pole!
Oswald's sweetheart is stolen by a schoolyard bully, so he has to fight him during recess to win her back.
A film crew hijacks their company's current production and improves it behind the director's back.
A look back at the wild and crazy endeavor to make 12 Westerns in 12 Months during 2020 with director Travis Mills, actor/producer John Marrs, and other key cast and crew members.
Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.
Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.