In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the kingdom of fairies have a slight quarrel about whether or not the boy Titania is raising will join Titania's band or Oberon's, so Oberon tries to get him from her by using some magic. But they're not alone in that forest. Lysander and Hermina have there a rendezvous, Helena and Demetrius are there, too as well as some actors, who are practicing a play for the ongoing wedding of Theseus and Hippolyta. Due to some misunderstandings by Puck, the whole thing becomes a little bit confused...
The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.
A young prince's epic journey of love, obsession and betrayal
The playwright's most famous dramatic study of jealousy and its tragic effects are conveyed vividly in a striking drawn animation style. The warmth of the Mediterranean contrasts with the coldness in lago's heart as he turns his noble master, Othello, against the beautiful and innocent Desdemona.
When a secret marriage is planned between Othello, a Moorish general, and Desdemona, the daughter of Senator Brabantio, her old suitor Roderigo takes it hard. He allies himself with Iago, who has his own grudge against Othello, and the two conspire to bring Othello down. When their first plan, to have him accused of witchcraft, fails, they plant evidence intended to make him believe Desdemona is unfaithful.
Juliet awakens from a fever dream. The lines between hallucination and memory blur as cinema and dance collide in a kaleidoscopic journey of belonging, defiance, and self-discovery. A vivid retelling of Shakespeare’s Romeo and Juliet brought to life by Scottish Ballet.
General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.
Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.
The earliest British televised production in existence of the play Othello, with black American actor, Gordon Heath, in the title role. This was the first televised version of the play to feature a black actor in the title role. Gordon Heath, an American, came to Britain in 1947 and was cast by Kenneth Tynan to play Othello in his 1950 Arts Council production. The play takes place in Venice and Cyprus and the original production was part-live, with recorded Venice sequences
King Lear, old and weary, divides his kingdom among his daughters, placing great weight on their declarations of love for him. However, when Cordelia, the youngest and most honest, refuses to flatter the old man in exchange for his favour, he banishes her and seeks support from his remaining daughters. Goneril and Regan, however, harbour no love for him and instead conspire to seize all his power. In a parallel, Lear’s loyal courtier Gloucester favours his illegitimate son Edmund after being deceived by lies about his faithful son Edgar. Tragically, both ill-fated fathers are consumed by madness and experience immense suffering.
King Lear is a proud man who solicits praise from his three daughters in return for inheritance of the kingdom. Daughters Goneril and Regan profess their affection vehemently. Cordelia, who does not respect the process her father has chosen, does not humor him. Lear's perceived rejection from Cordelia leads to her banishment, thus splitting the kingdom between the other two. This hasty decision becomes his fatal error.
Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.
Encouraged by a prophecy and his scheming wife, Macbeth sets out to be King of Scotland, but soon realizes the lengths he must go to keep his power in this gruesome tale of pure horror.
Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.
An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.
Even without the benefit of sound, the 1922 German adaptation of Othello seems more operatic than Shakespearean. This may be due to the casting of Emil Jannings, to whom restraint and subtlety were strangers. Werner Krauss, of Cabinet of Dr. Caligari fame, is on hand as the duplicitous Iago. Appearing as the unfortunate Desdemona is Lea Von Lenkeffy, better known as Lya de Putti. Produced on an elaborate scale, Othello may not be true to the letter of Shakespeare, but is undeniably a smorgasbord of visual delights.
Ian, a commercially successful stage director, mounts an avant-garde production of "Othello" for the sole purpose of destroying Tyson, the actor who stole his fiancee Anne from him. Fanatic in his commitment to art, personal integrity and Zen Buddhism, Tyson makes the mistake of accepting the role of Othello in good faith at Anne's urging, only to find himself trapped in Ian's vengeful scheme, an escalating nightmare of absurdly bad theatre that threatens to spin out of control and push them all to the breaking point.
With freshly rechristened characters and brand-new dialogue, this British TV production of Othello is a "rethinking" of Shakespeare's play, albeit still retaining the original's power and potency. The story is set in the London of the near future, a crime-ridden metropolis virtually torn apart by racial hostilities. By order of the Prime Minister, black police officer John Othello (Eamonn Walker) is promoted to Commissioner, a post dearly coveted by Othello's friend, mentor and fellow officer Ben Jago (Christopher Eccleston). Seething with jealousy, Jago contrives to discredit Othello in the eyes of the public, and to destroy John's interracial marriage to the lily-white Dessie (Keeley Hawes). Among those used as unwitting dupes to gain Jago's ends are Othello's trusted lieutenant, Michael Cass (Richard Coyle), scrupulously honest police constable Alan Roderick (Del Synnott), and Jago's own wife, Lulu (Rachael Stirling).
A tragedy by William Shakespeare about King Lear who intends to abdicate, and therefore wants to carve the kingdom up between his three daughters.