A Night That Took Everything

Damian, grieving his girlfriend's death, travels through Mexico seeking solace. Along the way, he connects with strangers and witnesses their coping rituals, finding a path through his own memories and regrets.

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.

Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.

A reflective short film created by Julio Medina’s great-nephew, honoring his life and legacy. Through a personal letter, it explores his lasting impact on those around him, serving as a heartfelt tribute to his memory.

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.

A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.

Children get ready to start the first grade. They start learning the first letters.

"Letters from Europe" brings to light the words of men and women who gave their lives resisting the Nazi and fascist conquest from 1939 to '45 across the European continent. The moving goodbyes penned by a few of those sentenced to death are sometimes true spiritual testaments that explore the meaning of civic responsibility, human existence, fraternity, and life and death. Their words, which the film mingles with footage of the present day, can perhaps restore meaning to a humanist ideal and to the ever-changing idea of a united Europe.

An intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. This unflinching look at Anthony Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.

A young filmmaker maintains an epistolary conversation with his deceased grandmother while he rediscovers the space they both inhabited for more than a decade.

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

Layering real-life details with an otherworldly magic, Thanadoula recounts the story of an end-of-life doula brought to her calling through the loss of her beloved sister.

SOME COLORS

Las Preguntas que Perdimos

When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind.

For three years, Vincent Lindon recorded himself on his iPhone to document his insecurities, fears and fits of rage as if in a diary. Thierry Demaizière and Alban Teurlai use these unique recordings to paint an unusual portrait of the actor, who openly addresses personal questions about his profession, his age and his emotions.

A voyage into the labyrinthic memories of a Uitoto man, who worked for the drug Lords in the Colombian Amazon back in the 80s. Following his path between the forest and the ruin of a Narco´s mansion imitating the Carrington mansion in the soap opera Dynasty, the film unfolds the hallucinatory account of a near-death experience.

A semi-fictional correspondence between two women: one goes to Iran in 1979 to topple the Shah; the other experiences the onerous years of Ceaușescu’s Romania. Their biographies run in parallel via images of everyday life and videograms of revolution.