A Night That Took Everything

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

An intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. This unflinching look at Anthony Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.

A concert movie dedicated to the formation of the World Club of Odesa under the leadership of Mikhail Zhvanetsky. "Let many people be proud of the expanses and fields," says Mikhail Zhvanetsky himself about his favorite city, "someone falls to his favorite birch tree, thinking that it grows only here. We have the only homeland - Odesa, the only party of Odessites. Odesa is halfway around the world, from America to Australia. Odesa is a phenomenon, an Odessite is a character. Odesa was, is and will be one of the most famous cities on this temporal globe. And we, who stayed, and you, who left, will live and live with it.... Odesa is worth dedicating your youth and old age to it, and it will repay you like a native land".

The rut of Dalmatian hinterland changes with the arrival of returning guest workers, and things they bring along: cars, radios and new way of life.

For three years, Vincent Lindon recorded himself on his iPhone to document his insecurities, fears and fits of rage as if in a diary. Thierry Demaizière and Alban Teurlai use these unique recordings to paint an unusual portrait of the actor, who openly addresses personal questions about his profession, his age and his emotions.

En el recuerdo habita el olvido

Las Preguntas que Perdimos

The documentary film follows the life and career of Milen Tsvetkov against the backdrop of historical events in Bulgaria that have transformed journalism and the media market in the country since 1989.

Readings from the diaries, accounts and letters of its passengers and crew tell the story of the Titanic, which sank 100 years ago today on its maiden voyage. The cast includes Richard E Grant, Roger Allam, Anna Madeley, James Wilby and Claudie Blakley, alongside relatives of those who were on board. Charles Dance narrates.

A movie about a beach

A semi-fictional correspondence between two women: one goes to Iran in 1979 to topple the Shah; the other experiences the onerous years of Ceaușescu’s Romania. Their biographies run in parallel via images of everyday life and videograms of revolution.

A young anthropologist reflects on her late grandmother's religious background.

When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind.

A Fera Que Gritou "eu" No Coração Do Mundo

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

Children get ready to start the first grade. They start learning the first letters.

Maria Casarès, a theatre actress and Albert Camus, one of the most important modern french writer, keep a long correspondence (more than 900 letters) about their love and the emotions they feel for each other for 15 years.

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

Real-life letters written by American soldiers, sailors, airmen, and Marines during the Vietnam War to their families and friends back home. Archive footage of the war and news coverage thereof augment the first-person "narrative" by men and women who were in the war, some of whom did not survive it.

By letting go of the urge to control and embracing the unexpected, the creative process finds a new pulse. Thus, Gut Knows What Mind Does Not Understand aims to celebrate what emerges when we trust our intuition and the experiences the world offers us.