The American woman is the best dressed woman in the world. This is due to Yankee ingeniuty, which makes a fashionable, well-made dress to sell for twenty dollars or less.
A scenes from a tour of Manipur State and a women's bazaar in Imphal.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
Discovering your womanhood at 33 when you're a feminist is like exploring a new continent as an adventurer. It sparks a desire to embark on a journey, to understand the world around us, to search for ourselves, over and over again. To engage in the new sexual revolution and trace the roots of sexism and gender, questioning whether sexual education in France can prevent future generations from the patriarchy. But are we ready to deconstruct everything?
Magdi, a strong-willed, but lonely caregiver faces a daunting reality as she grows older: If she were to pass away, her disabled adult son, Feri would be left to the inhumane conditions of the Hungarian state care system, and would quickly follow her. Determined to secure a future for Feri, Magdi unites with a group of mothers who are in the same situation and they take legal action against the state. “Your Life Without Me” is a story of the strength and sacrifices of these women who find their own voice through the common fight and their community.
A young Dutch girl (my mother, filmed by my father in-love). A little redhead (me, filmed by my father). Boys (my brothers). And through the images of flowers, animals and rallies (super 8s that were found): A chalet (Switzerland), dikes (the Netherlands). And my memories, childhood, teenage years mixed up with the history of women (of my family).
The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.
Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.
Under the shade of a Magnolia tree, a group of pregnant women gathers weekly. Among them is Teresa, an experienced midwife who listens to them attentively. Sitting in a circle, the women reflect on the impending birth of their children and their own emerging roles as mothers.
Tres mujeres, un camino
Documentary about terreiro women in Fortaleza who occupy the highest positions in the hierarchy, subverting the patriarchal tradition of religious communities.
Ménopositive
Mulher na Varanda
In Mahdia, Tunisia, Maram embarks on an intimate journey through the ancestral customs that have shaped her life, exploring matrimonial traditions, and highlighting the Henna, where the bewitching songs of the Machtat resound. Tracing her childhood memories, guided by Latifa and Habiba, two prominent Machtat, she uncovers the maternal essence of tradition, where the bond between mother and bride is at the heart of these intimate celebrations.
Three alien women with futuristic sound headgear walk around enclosed spaces engulfed in sand. They are connected by their common ability to listen to the stories of migrant Venezuelan women abandoned objects carry.
Dia de Visita
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
Punk music icons, Lunachicks, reunite after 20 years in an unfiltered, hilarious, and electric documentary. Packed with rare archival footage, the film traces their rise from gritty NYC teens to feminist trailblazers of the 90s grunge era. Fans and newcomers alike will thrill as the band recounts old antics, rekindles bonds, and embarks on their long-awaited journey back to the stage.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
Since the law of August 2, 2021, on bioethics, French women between the ages of 29 and 37 have the right to collect and freeze their eggs, free of charge, without medical reason, regardless of their marital status. From this simple law, and thus from this right, emerges a complex and fascinating reality.