The Stage We Are At

Böttchers film showcases three young workers who learn how to paint, draw, and make sculptures out of stone. The film generated a storm of mistrust, as there is no leading communist party, and the three individuals live blithely and independently of the official dictates. It became one of the first DEFA documentary productions that were not allowed to be shown.

The documentary looks at the various meanings of leisure in the contemporary world and presents its implications in the field of ethics, diversity, coexistence and citizenship, among other aspects that need critical analysis and proactive action.

You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.

Common sense says you can't make a living in America playing avant-garde improvisational jazz. But Ken Vandermark does it anyway. Among musicians, Vandermark's work ethic is almost mythic. The Chicago reed player has released over 100 albums with nearly 40 ensembles, spends over eight months per year on the road, and lives every other waking moment composing, arranging, performing—and trying to discipline his two hyperactive canines. Though Vandermark was the recipient of a 1999 MacArthur genius grant, he still spends most of his life in smoky clubs and low-budget recording studios, hoping people will plunk down hard-earned cash to hear his wholly non-commercial music. Following the artful cinéma vérité style of the internationally acclaimed Sheriff (Work Series #1), Musician (Work Series #2) forgoes all interviews and voice-overs. It is a fly-on-the-wall time capsule that expertly captures every subtle sound and texture of this most American of art forms.

This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.

Dieu peut se défendre tout seul

A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.

Momofuku TV employs CG animation to look back at the history of instant ramen and tell the story of how Momofuku Ando overcame great adversity to achieve inventions of worldwide importance. The program presents the six keywords that drove Momofuku’s creative thinking in a fun and easy to understand way.

It is a fetish, a mantra, a secret religion to modern man: work. In times of the financial crisis and massive job reductions, this documentary movie questions work as our 'hallow' sense in life in a way that both humors and pains us.

Anouchka is a 30 year old screenwriter who works in a wine bar for a living. She traces her last 15 years of alcoholism thanks to a screenplay she wrote.

Beneath the soft glow of a theater stage, a conversation unfolds — an unraveling of stories tethered to history, shaped by places, and refracted through memory. Words echo silence as the stage becomes a mirror, reflecting what is seen, what is unseen, and what is felt. A contemplation of the liminal.

The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.

Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.

From PBS - With unprecedented access, The Shaw Festival: Behind the Curtain captures the unique creative process of one of North America's longest running, most distinctive and exciting theatre experiences. Each year between April and October, the Shaw Festival--which began in 1962 with the mandate on works by George Bernard Shaw--presents around 10 plays on four stages that attract patrons from all over the world. Located in Niagara-on-the-Lake, Ontario, Canada--the Shaw's one-of-a-kind schedule has actors and directors working on several plays at once. Over eight months, crews design and build sets on a finely honed schedule that is both frenetic, creative, and amazingly well planned and executed. Follow the process of getting the play from the page to the stage as The Shaw Festival: Behind the Curtain provides insight into every aspect of production at a summer theatre festival.

La Meilleure Façon de tracer

Longyearbyen, Svalbard, is the northernmost settlement in the world. About 3000 polar bears and 400 snow scooters outnumber its 2700 inhabitants. It is a place where you can actually see climate change and social diversity.

A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.

Un tout petit pays

Michel Blanc, sur un malentendu

Documentary following the actors playing the role of Billy in Billy Elliot the Musical as they prepare for their West End debut.